Archive for March, 2020

publishing business

More on Categories

Since I’ve been talking about book categories, I thought I should explain how that works and why it’s important. There’s a system of code categories that booksellers and publisher use to sort books. Some of the categories are pretty general, but then some areas get sliced and diced into pretty specific categories. For instance, there’s a code for firefighter romance. Strangely, although there’s a specific code for cozy mysteries involving crafts, there’s no code for paranormal mysteries. You can find the list of fiction categories here.

For traditional bookstores, the fine parsing doesn’t make much difference, since books are generally shelved in general fiction, romance, mystery, or science fiction and fantasy (some stores may break out horror into its own section, and some stores give all Christian fiction its own section). The codes are used more for databases and possibly for internal tracking (maybe to keep an eye on what’s selling).

But for online bookselling, they become more important. Instead of having to just go to the mystery section in a store and then scan the covers to see which ones you want, you can search a specific category. Each book can be put in more than one category if it fits multiple places. That can be both good and bad. If your book is a perfect fit for a category, that makes it easy to find. If it’s not such a good fit, your book can fall between the cracks. Since there’s no paranormal mystery category, I’m going to have to choose between maybe cozy, general and either amateur sleuths or women sleuths. I don’t know what the people looking for my sort of thing will be looking for.

Amazon also has some of its own categories, and I’m not sure how you get put in them or how they decide. I’m not even entirely sure how you find them. When I was digging through the bestseller lists for the potentially relevant categories, I tried clicking on an individual title, then found in its listing where they showed its rank in various categories, some of which weren’t listed as a category for browsing or bestseller lists. So, I was looking through general cozy mysteries, found a book that looked along the lines of what I’m writing, and found that there was a separate category for ghost mysteries, but it wasn’t listed for browsing, and there isn’t a code for it. But you can bring up a list of those books by clicking on that category in that listing. It may come from key words you can put in a book listing, possibly from algorithms that show what sorts of things people buy, like those “people who bought this also bought” lists. If a lot of people who generally buy ghost mysteries buy a book, it might get classified as a ghost mystery. Sometimes this is hilariously inaccurate. Recently, Enchanted, Inc. has been listed in “plays and drama,” which is just bizarre. I wonder if a lot of drama students who buy books of plays have been buying it.

This is what I’m talking about when I talk about trying to classify my books. Where are the people who are looking for the kind of book I write most likely to look for that kind of book? Once you know that, you can have a better idea of how to handle that book, like what to mention in the book description, what the cover should look like, etc.

You can call your books whatever you want to, whether it’s “light fantasy, “fun fantasy,” or “cozy fantasy,” but none of those are established categories, so you still have to find the right code to put on it. That’s the hard part.

TV

Historical Drama

I had a more successful movie weekend this week than I had the week before. No, I didn’t do a Lord of the Rings rewatch. I’m waiting until I can get the extended editions from the library (they were checked out). I went the historical fiction route, a miniseries that on Amazon is called The Devil’s Mistress (on IMDB it has a different title that might keep this post from being suitable for all ages, which is probably why Amazon changed it). It’s about the English Civl War, a period I’ve only recently started learning about, and is the kind of historical drama in which a fictional character manages to interact with all the major historical players (with some of the real people being altered with dramatic license).

It’s about a young woman in the court of Charles I whose life is upended by the conflict between the king and Parliament, and she ends up on just about every side in the conflict at various times, not because she’s fickle but because everyone she aligns with ends up betraying her. I was intrigued enough by the things that were going on that I started reading up on it all, and it seems like there were no real “good guys” in that war. Both sides seemed pretty obnoxious and trampled the people who might actually have been good.

It was one of those things where most of the cast were at least mildly familiar faces. If you’re a Doctor Who fan, there was some amusement to be had because Peter Capaldi played Charles I and John Simm played a mercenary who ended up fighting for Cromwell, so in a way we had another round of the Doctor vs. Master conflict (though this series was made long before Capaldi was the Doctor, but I guess around the time Simm was playing the Master).

There were a few scenes in which it verged on being the kind of romantic fantasy adventure I’ve been looking for, if only there had been even a tiny magical element. At one point in the story, the heroine has been betrayed by the side she was on at the time and has pretty much hit bottom. A wealthy man tries to rape her, she kills him, and then she puts on his clothes to be able to travel disguised as a man. She comes across the mercenary who at one time had been hired to guard her, who’s been captured by enemy soldiers, and she rescues him. The two of them end up traveling together and working as highwaymen, with much swashbuckling. The whole “woman dressed as man, avenging herself against the men who wronged her and her family at the side of a man who’s secretly in love with her” would make an excellent basis for a rollicking adventure. But it’s only one part of this story that’s more about the history and how ordinary people in this era were affected by the conflict, as well as exploring the various factions that arose in the vacuum of a king.

If you’re into costume drama, this one’s worth watching for the cast, the costumes (such lovely gowns!) and the history, but you may find yourself imagining an alternate story about the lady highwayman.