Earlier this year, I mentioned the Kickstarter for the short story collection I have a story in. The book is now available, for those who didn’t participate in the Kickstarter. There’s more info here.
It’s a collection of stories involving the fae, from various traditions. I’d done a ton of reading about that in preparation for writing my Fairy Tale books, mostly about the traditions and folklore of the British Isles. But when it came time to write this story after I was invited to participate in the anthology, I went in a different direction. I’d been reading some Scandinavian folklore, and I ended up using a bit from Iceland. They have such strong traditions about the fae that, even now, they’ll reroute planned road construction if it might interfere with an area believed to be a fairy habitat.
But the actual seed of the story was something non-magical that happened to me. I’ll tell that story in my next newsletter. If you’re not already a subscriber, you can sign up here. I only send about one e-mail a month, plus I’ll send out reminders when there’s a new book.
I don’t write a lot of short stories. I tend to get novel-sized ideas, so all my attempts at short stories either fizzle out, grow out of control, or they get to a certain point and then frantically wrap up before they get too long. But I’m thinking that I may try to write them more often. I recently read a book about the history of Pixar, and one of the things mentioned was why they keep doing the short films even though they don’t really bring in much revenue. They’re mostly something to show ahead of the main feature as a bonus, and they win a lot of awards, but if they didn’t make those shorts, it wouldn’t cut any income from the bottom line. But they use the shorts as a relatively low-cost (in both time and money) way to experiment and learn. It’s a way for new writers and directors to practice making a film without being thrown in head-first in a full-length feature, so it creates a pipeline of talent. It’s also a way to play with technology or concepts.
I might be able to use short pieces in a similar way — to try out new ideas, techniques, or approaches, maybe touch on some of my literary “bucket list” items. Before I started writing Enchanted, Inc., I’d never written a novel in first-person narration, but I had written some fan fiction that way, just to try it. I could use short stories for that sort of thing. Then, as a bonus, if any of them sell, then that’s money, and their publication serves as promotion. Or I could create a collection of my own, use them in the newsletter, etc.
I’ll have to keep that in mind for something to do between books.
But first, I have to wrap up the books I’m working on.