I’ve been doing some studying about how to make a living publishing your own books and treat it like a business, since I came to the realization that it would be difficult for me to get a real job, so I have to make this work. I haven’t been very businesslike about it. I’ve just written what I feel like writing and thrown it out into the world. I’ve griped about how the traditional publishers have never done all that much for me, just throwing my books out there with little to no marketing support, but I’m doing the same thing. I’m trying to be more focused and strategic and learn what I can do to make this work as a business.

One thing I’ve never done much of is market research. At best, after I’ve written something I’ll look around for other things kind of like it to get cover ideas. I’ve never really been all that systematic about it. The guide I was reading suggested looking at the Amazon bestseller list that best reflects your subgenre and looking at whether you could imagine your book fitting in there. Then look at the sales rank for the #1, #5, #20 and #50 books. If they’re all really high in the overall rankings, that means there’s a good market for what you’re writing, but it also means it’s a competitive category.

The mystery series I’m working on fits perfectly in a couple of categories, and I could see those kinds of covers fitting it. It’s a moderately strong category, with the top-selling books really high in overall rankings, but once you’re down around #50, they’re fairly high but in a range I’ve hit with some of my previous books. So, that’s good. I seem to be on target there.

Then I tried looking up things that might fit the fantasy series I have in mind. I could swear that I’ve seen books that fit my general category and that have the sorts of covers I envision, but I only saw one or two of these on any of the category bestseller lists I tried. I’d been thinking they’d fit into romantic fantasy, but it looked like most of those books were really dark and sexy, and more contemporary than a traditional historical fantasy setting. Although these wouldn’t be actual fairy tale-based stories, I do think they’d have a fairy tale feel and I’m drawing on some tropes from fairy tales, so I tried the fairy tale fantasy chart, and it fit a little better there. But that seems to be a really competitive category. Everything in the top 50 was way up the overall charts. There was also no real consistency so that you could look at a book and know it was that kind of book. I may need to look up the books I know of and see how they’re categorized, then work backward from there.

I suspect in that area I may have the problem I’ve had with a lot of my other books, which is that they don’t fit neatly into any one category and there isn’t a lot like them on the market. That’s made it difficult for me to sell to the major publishers, since they want comp titles and are leery of something that doesn’t readily compare to something else that’s selling well. And I’m afraid it’s making it harder for me to sell these books independently. It turns out that writing what I want to read but that I can’t find isn’t a great business strategy. Go figure.

I’ll still write these books because I want to and I think there are readers. I may write one series more for money and the other more for love, and I’ll have to be strategic about marketing.

The other thing I’m seeing in everything I read about the business is that you really need to have a mailing list and newsletter. I’ve resisted because I hate them and I feel like everyone is totally bombarded by them, but if absolutely every book on publishing says this is the #1 thing you need to do, it may just be possible that they’re right. So I guess I need to find a mailing service and figure out how to add a link to my web site, and then I need to come up with content.

I got a bit of a surprise yesterday when it turned out that Enchanted, Inc. was a Kindle Daily Deal. My publisher forgot to let me know about that in advance, so I only learned when I got tagged in a tweet about that day’s book deals. So that turned out to be a bit of a distraction as I tried to promote it as well as I could and as I watched my Amazon ranking soar.

But the whole thing emphasized what I’m up against. I could really push myself to tweet, blog, post on Instagram, etc., and not see noticeable results. The publisher does one thing (that I can’t do on my own), and the results are huge.

That’s why I’m iffy on trying to continue doing much independent publishing. I just can’t seem to get the word out there in a big enough way to get results. I can sort of reach my existing readers, but I don’t seem to be able to get beyond that without publisher support. It’s cool that the publisher is pushing this book still after 14 years (though it makes me wonder what might have happened if they’d supported it this much when it was first published), but I have zero control or influence over it. Most of the time, they don’t even remember to tell me it’s happening.

But it was a nice surprise, and it did seem to boost sales of my other books. Hopefully, that will linger as people who bought the book end up reading the rest of the series and maybe spreading word of mouth about it.

Was this enough of a “sign” to keep me going? I don’t know. It means I’ll have some money coming in this summer, but I’m not sure how much. My independently published earnings on Amazon went up by about $40 yesterday, so while it looked like a huge spike on the chart, it may not make that big a difference in my income unless the boost continues and people read the rest of the series.

The writing world has been buzzing in the past few days about yet another plagiarism case. This one opened up a whole seamy underbelly of publishing and what people are doing to get ahead.

Alert readers notified authors that they’d spotted bits of their books in a “new” book they were reading, and it turned out that the book in question was a mosaic of pieces from other books (and an article or two) pasted together, with the character names and a few words changed and a little bit of transition to more or less smooth over the gaps between the stolen bits. The “author” in question claimed to be shocked at these allegations and blamed it on a ghostwriter she’d hired to write the book.

But then that opened a can of worms in revealing that this “author” wasn’t actually writing her books. She was more of a publisher, a content mill, hiring people to churn out books for her to publish. One of her ghostwriters has said that the “author” was actually the one who handed over a manuscript and asked the writer to smooth it out for her, essentially doing a heavy edit, and what was handed over turned out to have been a bunch of chunks taken from other books.

A lot of this comes down to attempts to game the Amazon algorithm, especially for Kindle Unlimited, where authors are paid by the number of pages read. To stay near the top so that your books are more visible, you have to keep a steady flow of new content going, and to do that, some authors are resorting to tricks of various degrees of shadiness. There’s ghostwriting—cheaply hiring freelancers to churn out books for you to publish. There’s book stuffing, in which a “book” is actually a collection of previously released other books, with one new book at the end, so the author gets credit for thousands of pages read when the reader skips to the last book (Amazon tried to crack down on this by changing the rules about what counts as a “book”). There are schemes for click farms, in which people are hired just to click through books so the authors get credit for pages read and so that the books move up in the rankings, so they’re more visible and are more likely to be read. Some of the scammers post fake reviews for competitors’ books, then allege to Amazon that the competitor paid for the reviews, so those books get taken down.

The result is that Amazon is now so full of shady stuff that it’s hard for real books to get noticed. I know my sales have slumped a lot, and that’s one reason I’m trying to find a publisher. I’m afraid the whole independent publishing thing is going to collapse under its own weight. Kindle Unlimited has really just encouraged some of the more toxic behavior. These schemes wouldn’t be so lucrative without that, if each book had to be purchased and had to stand on its own merits. The problem is that Amazon doesn’t care because they’re not losing money. They make the same whether it’s a stuffed plagiarized book or a well-written original book, and the scammer may be even more likely to buy ads from them.

All this to say that legitimate authors need readers’ support more than ever. It’s harder for our books to be discovered amid all the noise, so reviews and word of mouth are essential.