I’m still in heavy-duty research mode, having picked up even more books at the library yesterday, and it really isn’t just creative procrastination because I keep finding little details that spin my story off into a different direction or that give me ideas. Or that validate my ideas in an almost creepy way.

I’d decided that I was going to very loosely base my villain on a certain historical figure, but blended with some other stuff so that it’s not just this historical figure. I’d figured out a lot of stuff about his character, adding on to what I knew about the figure. Then I started researching this figure. I didn’t know a lot about him, just the general big-picture stuff. And it turns out that some of the stuff I made up to add to this real person in order to create a fictional character was actually true of this real person. My made-up character loosely based on a historical figure turns out to have been a reasonably accurate depiction of the historical figure.

Which means I may need to make up some more stuff so it won’t look like this person is just a fantasy version of the historical figure, but that means I need to do a little more research to make sure that I’m not accidentally just adding more real-life details about the historical figure. I don’t think some of these things I’ve found are really common knowledge, and my target readership probably isn’t going to go, “Hey, that’s that guy from history!” but editors might.

Meanwhile, since I’m looking at multiple books on the same topic, it’s been interesting to see how widely differing views tend to be. In one reference book, this person was supposedly his mother’s favorite child and he turned out the way he did in part because his mother doted on him so much. In the next book I read about these same people, supposedly he turned out the way he did because his mother was so harsh and strict with him and she never really showed him any interest or affection. The first book is more recent and was based on correspondence among these people that was previously hidden in archives, so it might be more accurate, since it uses the actual words of these people and the people around them rather than speculation based on observations recorded in publicly available documents. That’s why you look at multiple sources for your research. Of course, it doesn’t matter as much if you’re just using the history as inspiration for totally fictional characters in a made-up world that has magic in it.

But it also can show the difference between public and private personas and perceptions, and that’s something that can fuel a plot. It seems that people at the time saw this person as having cruel, unfeeling parents that he was rebelling against, and they had no idea that his mother was actually quite sympathetic and intervened to try to keep his father from being harsh with him. He seems to have been playing the public for sympathy to try to pressure his family and others into giving him more money.

It’s fun feeling pieces of story click into place as I research.

Some of the ideas and insights I got during yesterday’s round of research reading reminded me of one of the few points I was allowed to make in last weekend’s Panel From Hell. If you want to create a vivid world that doesn’t perpetuate tropes and stereotypes, you can’t use other fiction as your reference or source material. You need to do actual non-fiction research.

You can see what happens when people use fiction as a source in a lot of the fantasy from the 1970s and early 80s that’s essentially just a take on The Lord of the Rings, or the 1970s and 1980s space opera that’s heavily inspired by Star Trek or Star Wars.

But since magical lands with wizards and elves and great space empires don’t really exist, how else are you supposed to research them?

Everything we humans write is based on human experience, one way or another, so you find analogues in our world that you want to base your fantasy worlds and cultures on. That’s what Tolkien did in the first place. You’re more likely to get something interesting and original by going to the sources he read than you are by going to what he wrote. Read about the history of the era you’re basing your world on, read about the culture. Read world history to see how various things came together to make certain conditions happen. If you’re writing about a space empire, look at how some of the empires on earth have worked.

That doesn’t mean that you have to (or even should) write The British Empire — In Space! But studying the British Empire would probably give you a lot of ideas for what might happen in an empire with far-flung territories and no real-time communication, and the result would be more unique and interesting than yet another thinly veiled retelling of Star Wars.

When it comes to fantasy worlds, you’re better off using your research to generate ideas rather than trying to be meticulous about re-creating our cultures in that world. You probably shouldn’t have an obvious Magical Asia, Magical Europe, and Magical Africa, but studying the ways cultures intersected and interacted might give you ideas for creating your own cultures.

The one area where fiction might serve as a reference is if you read novels written in the time and place you’re basing your story on. That can give you a sense of how they used language and what was going on with the culture in that time. If you’re writing a world based on Regency England (or an alternate history in that time), you really should read the works of Jane Austen. But you can’t just read those works, or else you’ll end up with yet another take on Jane Austen rather than something original. Period novels are part of your research, not all of it.

I do try to read whatever’s been written in the general area of my story idea, but not to get ideas. I want to know what’s been done so that I don’t inadvertently copy it. I can choose to go my own way once I know what others have done. It’s also good market research to know what’s been done and how well it worked.

I keep thinking that I’m getting to the end of my research process, but then I keep finding new stuff. I was reading a book that I thought I probably didn’t need but that I thought might be interesting and I discovered something that helps me set up the main part of the story. Then I was reading another book that I suspected would probably be overkill, since it was about what would happen if the characters didn’t take the action they take — and it ended up having a key bit of information I hadn’t been able to find elsewhere. So maybe I need to keep digging.

I think a secondary benefit to the research phase is the additional time spent thinking before I start writing. That gives me a chance to mentally flesh out the characters and their world before I start committing to actual words. I’m seeing lots of the “movie” of the story in my head, and it’s gradually filling in details. As much as I have figured out, I’m realizing how much I don’t know. Like, I don’t have a lot about my villain and I don’t have a secondary cast. I know a lot about what one part of my world looks like, but the part where the bulk of the story takes place is a bit of a blank.

So there’s work to be done. Unfortunately, some of the information I need is kind of scarce. I’m having trouble tracking down exactly what I’m looking for. I guess I’ll just have to hope for more research serendipity. Maybe I’ll stumble on exactly what I need while I’m looking up something that initially seems to be extraneous.

I’ve reached the less fun part of story development, when I have to figure out what actually happens. It’s fun to create/discover characters and their world and to do research, but then comes the time when I actually need a plot. I would be perfectly happy just writing these people going about their daily lives in this setting, and while I know there are some readers who’d be okay with that, too, there’s no chance of it selling. I am contemplating a self-published experiment in “low-conflict fiction” for people who are so stressed-out that they just want to escape and read stories about people having adventures, seeing new things, discovering stuff, and maybe helping other people without being in mortal danger or without being put through the emotional wringer. However, this is not that book. I would like to sell this book to a publisher, so something plot-like needs to happen. I’ve got all the setup figured out — the ordinary world, call to adventure, crossing the threshold, tests, enemies and allies. But I’ve hit the part where things get serious, heading into the inmost cave for an ordeal, and I have no idea what needs to happen next now that the plot is really kicking in.

I’ve done things backwards in that I’ve figured out all the character conflicts, both within the characters and between the characters, and I know the arc the heroine needs to be on. I just can’t seem to figure out what the external plot should be that will drive that arc and force the heroine to make those choices. I have a vague sense of one possibility, but it may be too big for this book because this story has series potential and the plot I have in mind is more of a series climax thing. There’s not really anywhere to go after that story. So I need something that’s the right level of conflict, something that affects the heroine’s immediate world but doesn’t alter their society (the big one I have in mind is society-altering). At the same time, I don’t really want to present this as book one in a trilogy, but rather a standalone story with series potential, so it needs to be big enough to fix an obvious wrong in the first book so that it feels like the heroine has accomplished something.

Actually, I guess it depends on who you talk to whether I’ve really done things backwards. There are those who say you need to figure out what your protagonist needs to learn and then fit that into an external plot, but I tend to come up with the external plot and then figure out how it affects my characters, doing some tweaking to make it fit. Usually, for my easiest books, it all just sort of clicks together.

I think today is going to be a brainstorming day, which means it’s going to be a big housework day. Staring at a screen/page, trying to think of a plot, tends to get me nowhere. The best ideas come when I’m doing something else. We’re having our first sunny day after days of rain, and a house that felt cozy on a dark, rainy day just looks cluttered in bright sunlight. So I’m going to put iTunes on shuffle (because sometimes music sparks ideas) and clean my house, and maybe the answer will come to me while I’m dusting.