Books

Historical Language vs. “Historical” Language

My first day of Book in a Week went pretty well, with a little more than 6,000 words for the day. I’m going to try to top that today.

Meanwhile, in reading, I suppose I’ve been on a Regency kick, reading Jane Austen and other books set during that period. There was Sorcerer to the Crown, then I read a modern author’s sequel to Sense and Sensibility (about Margaret when she’s grown up), and now I’m reading a Georgette Heyer book from the To Be Read shelf.

One thing I’m finding interesting is that the actual Austen was easier to get through than the modern books set in that time. The language is more florid than in most of our modern literature, but it’s still simpler and more straightforward than the modern books that are trying to imitate that style. I suspect it’s because the more modern authors are attempting “worldbuilding” in re-creating a time and place they aren’t actually experienced with. They’re trying to mimic the style of the time. Austen was just writing contemporary books without trying to build anything. She was writing about her own time and place, using the language she used in everyday life.

I think another difference with the Heyer may be that she’s writing about a different kind of people. Austen focused on the country gentry while Heyer tends to deal with the titled nobility, those who go to London for the Season, and all that. She’s trying to use the flash slang of the upper class. In the book I’m reading (Cousin Kate) she’s also dealing with a heroine who’s the daughter of a soldier and who grew up around the military, so she’s picked up a lot of that slang. And then there are the lower-class characters who use their slang. I’m having to practically translate as I read. I can’t help but wonder quite how accurate her use of language is — does it really come from the period, or is she making up something to give an impression?

The straightforward language may be one reason Austen is still so widely read today. It’s a bit more difficult than reading modern books, but it’s not as though it’s almost a foreign language.

When I write in historical-type settings (whether alternate history or another world in a period similar to our history), I try to do just enough to give a sense of flavor without making it hard to decipher. I don’t want my language to throw anyone out of the story.

writing

Book in a Week

I found out this morning that I’ll be getting another round of revision notes on the book for Audible at the end of the week, which means I really need to make progress on the book I’ve been working on before then. I’m going to try something wild and crazy called Book in a Week. That’s when you try to write as much of a book as possible in a week. It’s a combination of really digging in and focusing on writing and doing a fairly rough draft rather than a lot of wordsmithing. You’re spending as much time as possible on writing and you’re trying to get as much as possible written.

It’s a good week for doing this, since I have no real obligations this week, no errands that need to be run, not a lot of cooking to do, since I already have leftovers. I can put my head down and really get some writing done. I don’t know if I’ll get to the end of this draft, but I can at least get up to the climactic part of the book.

This will be an interesting challenge for me. We’ll see how much I can manage to get done. Stay tuned for results!

Life

Back Again!

I managed to survive the week of Vacation Bible School. I was one of the adults in charge of kindergarten, and we had about 40 kids to keep track of. Fortunately, we had about ten teenagers, with each teen being responsible for four or five kids, so I just had to be there to help the teens and move them along. The other adult in our group was the pastor’s wife, who’s an experienced mom and teacher, so it was easy on me. I dealt with keeping track of time and keeping things moving as we went from place to place, and she dealt with discipline issues.

It was actually a lot of fun, though very tiring, and I now have some annoying songs stuck in my head. I picked up some ideas for things I want to do from the craft and science sessions, and I got a few ideas for dealing with the choir kids. It must have been fun for the kids, too, given that one had a screaming temper tantrum when his mom picked him up on the last day because he didn’t want it to be over with.

One thing I really liked was that they let the teens play a big role. They were the ones doing the skits and story times. I think the kids relate to them better than they would adults, and it seems less weird for the teens to be doing the corny skits than if adults do it. I remember feeling like I would die of secondhand embarrassment when I was a kid and watched adults doing those corny skits or pretending to be children. But it’s cute and silly when 12-15 year olds do it.

Although it was fun, I must say that I’m really enjoying the silence today at home. Now I can get back to work. I didn’t manage to write words this week. I just managed to do some research reading that I started doing just so I could feel like I’d done some “work,” but I ended up getting some great ideas that will really flesh out the book.

And now I intend to spend today and the weekend in silence, accomplishing things, and catching up on my rest.

Books

If Jane Austen Wrote Fantasy

I’ve been on a Jane Austen kick lately — not just reading Austen (though I have, since one of my friends started a Jane Austen book club), but reading biographies and things about that era. The one thing her books are missing is magic, and I’ve recently discovered a series that takes care of that. Well, with books like you might imagine Jane Austen might have written if she’d been writing fantasy, not those mash-ups like Pride and Prejudice and Zombies.

The first book in the series is Sorcerer to the Crown, by Zen Cho. A young man has recently taken the role of Royal Sorcerer after the death of the previous one, his mentor, and he’s got a number of crises on his hands. For one thing, the other sorcerers aren’t too keen on him, given that he’s an African former slave bought, freed, and adopted by his mentor, and they’re just looking for an excuse to strip him of his office. For another thing, amounts of magic in England have slowed to a trickle, and if he can’t figure out and resolve the problem, that will give his enemies ammunition against him. And then there are the magical assassination attempts. Things get even crazier when he goes to speak at a girls’ school and realizes that the conventional wisdom about women being incapable of handling magic is all wrong. The school is supposed to be teaching girls how to suppress their magic so it won’t harm them, but there are some powerful magicians there — especially one girl who’s sort of a teacher, sort of household staff, the orphaned daughter of a friend of the headmistress. She’s powerful enough that she has to be taught. But insisting on teaching women isn’t going to make him any more popular. Meanwhile, she’s just starting to uncover her own startling legacy and doesn’t have a lot of interest in boring lessons. She does, however, want to find a husband who can support her endeavors.

This is such a fun book that I’d recommend to fans of Jane Austen or those who loved Jonathan Strange and Mr. Norrell. It’s written in a very Austen-like style. The characters fairly jump off the page. The dialogue is witty and vivid and at times is laugh-out-loud funny. There’s action, magical battles, drawing room intrigue, and a dash of romance. The second book in the series was in my goody bag at the Nebulas Conference, so I found the first book, and I’m about to break my rule about not reading a series back-to-back since this is exactly the sort of thing I’m in the mood for.

In other news, I’ll be taking a break from blogging next week because I’m volunteering for Vacation Bible School, and that will eat up my mornings. See you the week after that!

writing life

Breaking Out of the Bubble

I spent most of yesterday feeling stuck, which usually means there’s a problem with what I’m working on. I’m trying to follow my outline, but the outline is the wrong way to go. After an afternoon trying to outline a scene, I gave up and did something else, then last night I sat down and listed the plot points that need to happen between now and the end.

And then I got sidetracked in the middle with a what if that turns out to probably be the key to the book. So now I have to replot, but that’s good. I’m actually going to be mean to my heroine, which I need to do, but I always have a hard time doing. I’m not a “put your characters in a tree, set the tree on fire, and throw rocks at them” kind of writer. I’m not even a “think of the worst thing that can happen, then make it happen” person. Though this plot development comes close. We’ll see how it works.

In the meantime, I’m pondering promotional stuff I might do. I’ve seen the statistics and demographics for YouTube and am pondering doing something with that. My degree is in broadcast news, so that’s definitely in my skill set. I haven’t really thought that it would be a good venue for promoting books, since if you’re watching YouTube, you’re not reading, but book content seems to be huge there. I’d need to figure out what to do with it. Maybe writing advice, talking about the background ideas for my books, some book reviews.

I suspect that the core YouTube audience doesn’t overlap with the core blog readership (which is kind of the point), but does anyone have any thoughts? Do you seek out authors on YouTube? I know I’d prefer to read something than watch a video, but maybe I’m not the kind of person I’m trying to reach here.

Then there’s podcasting. Again, I’d rather read something than listen to it, but I know there are people who use this for commuting or exercising. I used to love doing radio features (the kind of thing they do on NPR), so I could possibly have fun with that.

I’m just trying to find a way to break out of my bubble. My books are well-received. People who read them seem to like them. But very few people seem to have heard of me, and everything I do for promotion only seems to reach the same people who’ve already heard of me. I think if more people discovered my books, great things could happen. I just don’t know how to reach those more people. I’m particularly invisible in the fantasy world, and going to conventions doesn’t seem to have helped much. I don’t know what else to do to make a name there.

writing life

Inside the Mind of a Writer

Today I give you a glimpse into the strange mind of a writer.

Last night, I had a vivid and weirdly specific dream in which I was house/pet sitting for some friends while they were on vacation. Their cat, Yuki, had an odd fascination with one of the kitchen cabinets. She’d sit in front of it and yowl sadly, and if I ever opened that cabinet to get something, she’d crawl inside and look around. I thought it was sweet and funny that she was missing her people but thought that they’d gone into the cabinet when they went away. Then one day she came into the kitchen carrying a sheet of lined notebook paper, and she stuck the paper through the pull handle on the cabinet. I looked at it, and written on it in a childish scrawl in pencil was “Yuki (heart) you.” I wasn’t sure if the cat had managed to learn to write or if maybe she’d managed to get out of the house and some neighborhood kid had written it. Either way, it was a little astonishing that the cat had actually left a written note for her owners.

When I woke up from this dream in the middle of the night, my first thought after “that was weird” was “there’s got to be a story in there.” I ended up staying awake for some time as I worked out how it was sort of a reverse Narnia thing, with Yuki being from another world and coming through a portal that came out in a kitchen cabinet in our world. The people in that house didn’t know where she came from and just thought they’d been “adopted” by a cat. For a while, she enjoyed being treated like a goddess, but she was getting homesick. She thought that the absence of her captors would be the perfect opportunity for her to escape. They never allowed her in the kitchen cabinet, but the petsitter wasn’t as quick. Except, alas, the portal was closed and she couldn’t get back, so she left a sad note in tribute to her lost people.

Maybe the petsitter figures out that something’s up and helps her get a portal open to go back, then has to make up some story about the cat running away while she was petsitting.

And after all this middle of the night brainstorming, I overslept.

I’m not sure what triggered this dream. The subject of petsitters did come up in a conversation with friends last night, but we weren’t talking about cats, and I’d never be able to petsit for a cat if I had to stay in the house because I end up coming down with bronchitis if I spend the night in a home with a cat. And I really don’t know how I came up with the cat’s name.

I will have to add this to the idea file. Probably not for a whole novel, but it might make a cute short story.

Thoughts Into Words

I’ve been having a weird writing week in which thoughts are flying furiously, but they’re not translating into words. I can see the scenes playing out or feel what’s going on with my characters, but then I sit at the computer and the words don’t come out through my fingers. Maybe this means I need to do brainstorming instead, just capture all those thoughts without trying to put them into narrative.

Unfortunately, this is happening for other writing I need to do, including e-mails. Just trying to translate ideas into words for a blog post has been a challenge. I’m normally a very verbal person. Words are how I express myself, so it’s weird to have all these ideas swirling around in my head and not have a way to get them out.

I think some of it may be a case of spring fever, since we had a weird front come through Sunday and now it feels like spring again. I’m enjoying having the windows open and a cool breeze coming through. It makes me want to read and nap and just listen to the birds singing. I know the summer weather will return eventually, alas.

Thinking really is an important part of writing, so maybe I just need to get all these thoughts processed, and then I can turn them into a story.

Books

Questioning Sense and Sensibility

I recently re-read Sense and Sensibility (I’m in a Jane Austen book club, and that’s our next book), and as much as I love dear Jane, I had some serious issues with this book.

I’ve always kind of thought that Elinor and Colonel Brandon would have been a better match than Brandon and Marianne, but I thought that was mostly because of the movie, since Emma Thompson and Alan Rickman have played a couple elsewhere. I was really surprised on this re-read to find that the impression is even stronger in the book. In fact, I got the impression that Jane (we’re professional peers, so we’re on a first-name basis) kind of felt that way, too.

All the other characters seem to think Col. Brandon and Elinor are an item, especially after the truth comes out about Edward’s engagement. People are always assuming they’ll end up together, and Elinor has to keep correcting them. There’s even this whole bit where Mrs. Jennings overhears part of their conversation about him giving a living to Edward and misinterprets it to think he was proposing to her, with it taking some effort to untangle the confusion. There are far more scenes of Elinor and Brandon interacting than there are of Brandon and Marianne or Elinor and Edward. There’s even a line about how Brandon talks to Elinor and looks at Marianne. Jane really seems to like writing their relationship and their interactions. All the evidence cited for him being in love with Marianne is really just evidence that he’s a good and decent man, not anything specific to his feelings for Marianne. It’s more that their mother thinks he’d be good for Marianne than that there’s any real affinity between them. If I didn’t know the outcome, I would have assumed for much of the book that the happy ending would be Elinor realizing that Edward’s a bit of a twit and Brandon getting over his infatuation with Marianne and realizing that Elinor’s right there and far more stable and sensible.

Which makes me wonder about Jane’s process. Was she a plotter? Did she plan out the book with the outcome she wanted, but then the characters kept trying to go their own way and she fought it through the whole book before forcing them into the outcome she wanted at the end? Or, since she was often a rather caustic satirist, was it all deliberate? Was she making some kind of point rather than being sincere about this being the best outcome for the characters?

And Edward really is a bit of a twit. You don’t notice so much in the movie because he’s Hugh Grant, and Emma Thompson’s screenplay expands his role and makes him far more charming (and in the more recent TV version he’s Dan Stevens, and the screenplay has him doing manly stuff like chopping wood), but he’s a rather dull, lifeless character in the book. Even Jane doesn’t seem that interested in him because she keeps him almost entirely offstage. He’s someone they talk about, but he’s seldom actually there, and even when he is there, he doesn’t do much.

I know the whole deal with his secret engagement is a cultural issue that’s hard for us to understand. In that era, he really would have been considered brave and honorable for sticking to an engagement even after he realized he wasn’t really in love with the woman and even in the face of family disapproval, while we think he’s a wimp for not being able to break it off. But there’s still plenty about his behavior to raise eyebrows about. In the book, when he’s explaining himself to Elinor at the end, he even makes excuses, saying he never would have become engaged if his sister’s brother had given him a job after he finished school and before he went to Oxford because then he’d have been distracted and he’d have forgotten his infatuation. So, it’s someone else’s fault for not giving him a job, rather than his own fault for not finding a job and for taking a gap year to be idle rather than going straight on to Oxford or doing something worthwhile? And then there’s the fact that he’s attentive enough to Elinor that everyone who observes them assumes they’re as good as engaged while he’s actually engaged to someone else. That’s actually worse than Willoughby, who isn’t attached while he’s involved with Marianne. Not to mention that he strung his engagement along for four years rather than facing his mother about it. And this is the guy the heroine ends up with? (In the book, he’s not nearly as attractive as Hugh Grant or Dan Stevens, either.)

That’s what makes me wonder if there’s some satire going on. Are we supposed to think everything worked out right, or are we supposed to be smirking about all the things that are silly about society to lead to this outcome?

This is possibly the least timeless of Austen’s novels because there’s no good way to update the main plot. You can do the flighty emotional sister and the calm, rational one, but the Edward and Elinor plot doesn’t work in a modern setting. The key things are that he’s in a relationship he can’t get out of honorably even though he wishes he could because he’d rather be with Elinor and that this relationship is a secret, so Elinor has to suffer heartbreak in silence while her sister is having histrionics and acting as though she’s the only one ever to have her heart broken. In today’s world, Edward would have just given Lucy the “it’s not you, it’s me” speech and broken up when he wised up. You’d probably have to make them actually be married, so that ending the relationship is much more serious, but then there’s the secret part. You’d have to contrive a reason for them to have to keep their marriage a secret so that Elinor can’t even tell her sister that she’s heartbroken and can never be with the man she loves. If you move it into the modern world, Edward becomes almost as bad a villain as Willoughby since he’s leading on one woman while involved with another woman he has no plans to split up with, and about the only reasons I can think of for him maintaining a relationship he doesn’t want and keeping it secret involve money, which doesn’t make him look good (then again, that’s why he’s keeping it secret in the book, since he knows he’ll be disinherited if his mother knows).

It might be fun to do an update that fixes all these things. Have both Elinor and Brandon wise up and end up together.

writing

A Hard Day’s Work

I’m trying something new with the book I’m working on: present-tense narration. It’s pretty common in YA, and people were talking about that at the conference I went to last month. I thought I’d at least see how it reads that way, and I was surprised by what a difference it made. It made everything a lot more immediate and forced me to tighten up a lot. So I guess that’s how this book is going to be.

It takes some getting used to writing that way. I’m still working on changing the parts that are already written, so I don’t know what it will be like composing. I’ll need to brainstorm the parts that lie ahead because the story seems to be shifting subtly in another direction than I originally planned.

But that’s a good sign because it means the story has almost become a living entity, taking on a life of its own. I’ve also reached the point when I almost resent having to do something else other than work on it.

I will have some research ahead of me, as I need to invent a sport that’s played using unicorns — something like polo but using the unique features of unicorns. I’ve discovered all sorts of interesting events while researching this. There’s polo, of course, which had its origins as a training exercise for cavalry (which is what this sport will be, too). There’s polocrosse, which is lacrosse played on horseback. There’s horseball, which is kind of like basketball played on horseback. And there’s a whole category of events that fit under the umbrella of “tent pegging.” There’s tent pegging itself, in which riders try to spear a small target with a lance while riding at full gallop (supposedly with origins in trying to damage an enemy’s camp while they’re asleep by pulling up their tent pegs, but apparently this is disputed), and then there are variations that resemble jousting training exercises, like spearing a ring with a lance or hitting a target with a lance. I think my sport will involve rings, with both rider and unicorn having to spear rings with lance/horn, or perhaps trying to get a ring around the opponents’ unicorns’ horns.

Sometimes it astonishes me that this is my job. “Whew, it was a hard day at work. I had to make up a unicorn sport.”

TV

Good Omens

My plan to read mostly off my to-be-read pile so I can clear it out might be somewhat thwarted, since I just watched the Amazon series of Good Omens, and now I want to re-read the book (and then rewatch the series). It’s been long enough since I last read it that it wasn’t so familiar that the series clashed with my own mental images, but it’s familiar enough that I recognized certain scenes and even lines.

There were a few things that clashed enough with my mental images to bother me a little (like Anathema being American), but for the most part, it worked for me. They had to update some of it because it was written in the 90s and the world has changed a lot, but those updates made it even more relevant to our world.

Biggest unintentional laugh: Apparently, no one involved with the production has ever seen a US Air Force base. I guess none of the real ones would let them film there and they couldn’t find even a decommissioned one (I’d have thought there might be one or two of those in the UK).

But otherwise, I think it struck a nice balance between being faithful to the book and translating it to a new medium. The casting was excellent. It’s funny and makes you think. (Sometimes I think the funny things are most likely to make you think, even though people often think drama is more serious and thought-provoking.)

I think I may hold off on the re-read/re-watch. Maybe later this summer or early fall. It could be a good reward for finishing a project.

Which means I have to finish a project, I guess. Back to work!