Books

Recent Reading: Intimate Fantasy

I recently read a series that really hit the sweet spot for intimate rather than epic fantasy, with a focus on the characters, and we really got to see the characters grow, even though there were only three books. It was the Blackthorn and Grim series by Juliet Marillier.

The series is set in Ireland soon after the coming of Christianity, but before it really takes over, though it’s a fictional version of Ireland where magic exists and the fey play a role. The setup for the series is that Blackthorn, a former village wise woman (a healer, mostly, but with a bit of magic) has been imprisoned by a corrupt lord. She’s looking forward to her day in court to be able to publicly accuse him of his wrongs, but on the eve of her hearing, she’s warned that the lord has no intention of letting her speak, so she’s going to suffer an “accident” on the way. A fey lord appears to her and makes her a bargain: he’ll get her free, but she has to agree to go to a different kingdom, take up residence in the cottage she finds in a certain place, and resume her duties as wise woman. For seven years, she can’t seek revenge against the lord, and she must help anyone who asks her for aid. She wrestles with the decision because she wants nothing more than to get revenge, but ultimately decides that she can’t get revenge if she’s dead, so she takes the deal. Another prisoner, Grim, escapes with her. They find the cottage, set up shop, and soon the local prince needs some help because there’s something very strange going on with his betrothed.

This series is structured a lot like a mystery series, with a “case” in each book of someone who needs help, but the characters and their relationships grow from book to book, with the threat of that evil lord always lurking in the background. There’s also a hint of romance, with some of the cases involving relationships. I would have thought this series could go on indefinitely, with seven years worth of having to help anyone who asks, but the whole thing is wrapped up in the third book, and quite satisfactorily. I like the way it’s resolved, but since I enjoyed these books, I wish there had been more of them before the ending.

One thing I enjoyed about this series is the way it was told. There are multiple viewpoints, with Blackthorn and Grim in first-person narration and most of the “guest” characters in third-person. Their voices are so distinct that you’d have known whose chapter it was without the headers. Blackthorn has an edge to her voice. She’s lost trust in people and starts out very bitter. She doesn’t really want to help people and would prefer just to be left alone. Grim is a gentle giant, a man of few words, and his narration reflects that, with short sentences and simple words.

I will caution that there’s mention of rape, especially in the first book. It takes place “offstage,” but it is referred to, and the effects are dealt with, with the focus on the victim. That might make this difficult to read for some. I’d tried to read another book by this author and had to stop reading midway through because it was too much — it was a retelling of the fairytale with the brothers turned to birds and the sister having to remain silent while she makes shirts of nettles, which has always bothered me, but dealing rather realistically with what happens to a girl who can’t speak, so it got really intense. These books aren’t nearly that bad, but she doesn’t shy away from painful subjects. I think it’s handled well in this case, but I’m not seeing it from the perspective of someone who’s dealt with it personally, so I don’t know how it might affect them, and thus the warning.

The first book is Dreamer’s Pool. I ended up devouring the whole series but might have paced myself better if I’d known there were only three books. They were good for reading on a rainy night with Celtic music playing. I’m going to try another of her series next.

writing

The Process: The Idea

I’m in development mode for a new series, and I said I’d share some of my process for this, so here we go, starting with where the initial idea came from. I’m not going to get really specific about the content of what I’m working on. I’m just talking about the process. After all, I don’t want to spoil the books for readers, and I don’t even know what will end up in the books.

This idea, like most of my better ideas, came from wanting a particular type of book, with no idea about things like plot or character. With Enchanted, Inc., I wanted a chick-lit type book with magic in it, or else something like the Harry Potter books, but about adult things rather than about school. With Rebel Mechanics, I wanted a steampunk book in a Gilded Age kind of setting, with adventure and airships. In both those cases, it started with something I wanted to read, and then when I couldn’t find it, I decided to write it. It took me a while to figure out the specific stories I was going to tell with that kind of book.

In this case, the initial idea was perhaps a bit more mercenary. As you might recall, I had a bit of a meltdown early in 2019 in which I was prepared to give up writing entirely. I was frustrated with the fact that my books just weren’t selling and my income was steadily decreasing. After giving myself permission to quit, I realized that there wasn’t anything else I wanted to do, and the idea of getting a real job that would require going to an office was so horrifying that I figured I’d be willing to tolerate not making much money and dealing with the business side of writing that I hate. But if I was going to make a go at this, I needed to do much better financially.

The trouble I have is that in my most popular series, the Enchanted, Inc. books and the Rebels books, the publisher controls the first books, which limits what I can do for promotion. Almost all promo revolves around getting people to try the first book, and then pick up the rest of the series. With these books, I can’t control the price of the first books, which limits what I can do for promotion, and I can’t do anything to drive people from those books to the rest of the series. I can’t get the publishers to add the other books to the list of books by me in those books or get them to put links for subscribing to a newsletter. I just have to hope that people who read those books go looking for more. If they buy them on Amazon, Amazon might recommend the rest, but I have zero control over this. By the way, this is why I’ve been holding off on doing a fourth Rebels book. I’m close to getting the rights to that first book back, but if I put out a new books, that will increase sales, not enough to make me any more money, but enough to delay me getting the rights reverted.

So, I was thinking that what I need is a new series I control from the start. I was looking at what seems to be successful, and romance is the big seller in the independent publishing world, perhaps because the kind of series they can do there.

There are several different kinds of series. There’s the saga, which is one long story chopped up into book-sized chunks, with each chunk possibly ending in a cliffhanger. You see a lot of this in fantasy, like with the Song of Ice and Fire series. You have to read this kind of series in order, starting with book one. Otherwise, it would be like opening a book to chapter 10 and beginning to read there. It would make no sense.

Then there’s the episodic series, which follows the same cast of characters, but with a new story in each book. There might be subplots that span from book to book, generally focused on the characters and their relationships, so the series will make more sense if you start at the beginning and read them in order, but you could probably follow the plot of an individual book if you happened to pick up a later one in the series first. You see this kind of series in mystery, where the mystery plots are self-contained, but you may also be following the development of the main character’s personal life.

You may also see a hybrid of this, where there’s a big-picture overarching plot for the series, but each individual book tells a complete “episode” of the story. You still probably need to start with book 1 and read them in order, but each book has its own beginning, middle, and end. I’d put the Harry Potter series in this category. There’s the big-picture plot of the fight against Voldemort and Harry figuring out his destiny, but each book is a complete story of Harry dealing with an aspect of this fight, often defeating a minion of Voldemort. I’d put most of my books in this category, as well.

What romances tend to do is a “world”-based series. There’s some kind of setting or situation that involves a group of people, and each book is about a different person within that setting or situation. The main characters from one book may go on to be supporting characters in later books, and the supporting characters from other books may take their turns to step up and have their own books. If you read the whole series in order, starting with book one, you might get a better picture of things and get all the references, but you can jump into the series at any point. Any book could be a first book, and then you might want to go back and read the rest. This kind of series is sort of a best of both worlds situation. There’s enough continuity to keep you wanting to read more of the series — will that character you like ever get his own story? — but not so much that you have to start at the beginning or read all the books.

This kind of series is ideally suited to romance, since the happily ever after ending means there isn’t much story left for the characters after they get together. This way, you can shift the story to another couple while still showing what’s next for the previous couple. You don’t see a lot of this sort of thing in other genres. Mercedes Lackey has done a couple of fantasy series that are kind of like it, where there’s an established world and organization within that world, but each book is about a different main character dealing with that world or organization. Terry Pratchett’s Discworld books are sort of a hybrid of the episode and the world series. The series is about the world, but each book may deal with a different aspect of that world. There are the books about the city watch, the books about the wizards at the university, the books about the witches in the mountains, the books about Death, and various one-offs about other things. Over time, this built out into multiple miniseries within the series. You could jump into that world at just about any point, but it helps to start with the first book in a particular miniseries. Sometimes the different miniseries cross over, so that the main characters from one series will appear as secondary characters in another series. The more books you’ve read in the overall series, the more details you catch, so it rewards rereading. The first book you read will take on new meaning after you’ve read more books.

I thought it might be fun to do a fantasy series like that — create a world, then have a bunch of mostly self-contained stories within it. I have a lot of story ideas I haven’t managed to fit into any of my other series, and this could be a place where I could use them all. That was what kicked all this off. I came up with the mystery series idea around the same time and started writing that one first because this requires so much more research and development. I’ve spent the last couple of years doing research and the occasional bit of brainstorming. I’m not sure how well that totally self-contained stories thing is going to hold up because there may be a framing story to set everything up and provide some link between stories. I’ll know better how it will go once I get into more details.

In a future post, I’ll look at how I go from wanting to write a type of book to figuring out what the story will actually be.

movies

History vs. Fiction

After reading about and watching The Princess Bride last week, I followed it up by watching Lady Jane. Cary Elwes mentions that movie a couple of times in his book about The Princess Bride. That was the role that got him noticed so that he was cast in The Princess Bride, and it was filmed at one of the locations that was also used in The Princess Bride. It’s been sitting on my watchlist for a long time, but I’d been putting off watching it because the previous time I saw part of it, it was a painful experience.

Back when the History Channel had actual history-related content, they used to have a program called something like Movies in History, in which they’d show a film based on a historical person or event, then have historians talk about the actual history, comparing it to what was depicted in the movie. I loved this because I often would look up the real history after seeing a movie, and this was in the early 90s, before Google and Wikipedia, so looking up the real history required going to the library and looking in the encyclopedia or finding a book, and that was before my neighborhood had a library branch, so I had to drive downtown. When I was in college, I’d even look up the microfilm for newspapers at the time of the event (it was convenient living across the street from the main research library) so I could see how the event was covered in the news at that time. Seeing movies through this program saved me the trip to the library (unless I was still curious enough to want to read a whole book on the subject, but it at least dealt with the immediate curiosity so it could wait until my next trip to the library).

Lady Jane came on this program during the early 90s when I still only knew Cary Elwes from The Princess Bride and Helena Bonham Carter from A Room with a View. I was familiar with the history in general, so I knew about (spoiler!) the royal cousin who was made queen very briefly before Mary took the throne and had her executed, but I didn’t know a lot of details. I’d heard of the movie but hadn’t seen it and stumbled upon it partway through while channel surfing. The movie plays out like a tragic romance, with the couple in a marriage arranged by their parents, hating each other at first and then falling madly in love, then having a brief moment of hope that they could do great things leading the kingdom before their tragic end. Lady Jane was depicted as serious and scholarly, and we had her and a slightly younger version of Westley bonding over intellectual discussions of religious doctrine, so this movie was totally my jam. When the movie ends with the idea that they may have been executed, but they were going to be together in heaven, I was sobbing. It was a great romantic tearjerker.

And then the historian came on and ruined everything by talking about how it was all false. They hated each other, never fell in love, never really spent any time together. She even refused to see him before their execution. They also wouldn’t have had any impulse for reform while she was queen, since that wasn’t a way people would have even thought at that time. It ruined the movie because it was such a disappointment. I’ve since found other information that while it is true that they didn’t spend any time together and probably were not in love, her reason for refusing to see him before the execution was that she thought there was no point since they were about to be reunited in heaven. Also, the word “Jane” was carved into the cell of the Tower where he was kept before his execution. So, maybe not a love story, but it’s possible that if they hadn’t been executed so young they might have worked out. It is true that she was very studious and was considered one of the most highly educated women of her time.

I didn’t get nearly as weepy on this viewing, and I watched it with the idea that it was basically a historical romance using characters and situations that existed. It also helps to imagine the novel My Lady Jane, which puts a fantasy twist on the story and gives it a happy ending. It’s amusing seeing such a young Helena Bonham Carter, long before she went into Tim Burton mode. The costuming and scenery are lovely, and I had fun playing “name the location.” There are a few scenes set in the same courtyard where Princess Buttercup is introduced to the people, and there’s an exterior set at a castle I’ve visited but that doesn’t actually play a role in this story. They’re pretending that part of that castle is also part of that other manor house, even though they’re in different parts of the country. Aside from the two young leads, most of the cast were from the Royal Shakespeare Company, including Patrick Stewart (pre Star Trek) as Lady Jane’s father, so it’s very well-acted.

If you like costume dramas and tragic romance, this one can be entertaining. Just ignore the history.

Books, movies

As You Wish

The last time I went to the library, I brought with me the sheet from my memo cube on which I write down the books I want to get at the library. These are generally things I’ve seen mentioned online and looked up in the library’s catalog system. For fiction, I’ll write down the author’s name and title, but for nonfiction I’ll often just write down the call number. I had one of those on this trip and had forgotten what book I’d looked up. I assumed it was a book relating to that project I’ve been developing. Then I got to the library, found the book, and was surprised to see that it was As You Wish, the memoir about the making of The Princess Bride by Cary Elwes (who played Westley/The Man in Black/The Dread Pirate Roberts in the movie).

That’s one of my all-time favorite movies. I can just about quote the entire film, and yet I still enjoy it every time I see it. This book adds another layer of enjoyment to the movie with stories about how the project came about, how various cast members joined the project, and bits about things that happened during production, with some follow-up about what happened when the movie was released and times the cast members have reunited.

It’s a delight to learn that this really was a project of the heart. The story was something William Goldman came up with initially to amuse his daughters and that he wrote for love. Rob Reiner wanted to make the film because he loved the book so much and wanted to do it justice. Many of the cast members (including Elwes) were also fans of the book. Meanwhile, the cast and crew all came to love each other. The way Elwes talks about Andre the Giant makes me feel a real loss that I didn’t get to know him. Reiner was like the dad of the project, a genuinely caring boss who looked out for his people. “Westley” and “Buttercup” had crushes on each other in real life, which helped create their chemistry (it sounds like neither acted on it, or possibly even admitted it until later, and they just became really good friends).

It’s also interesting to learn how little movie trickery there was. That infamous sword fight was not done using stunt men. It was all the actors, who spent months training for it. Every bit of down time during the production was spent on training and practice. The only time a stunt man was involved was for the acrobatic flips. The rest was all them, and it really is good fencing, from the footwork to the way they use their blades.

I got weirdly emotional while reading this, to the point I actually cried when they came to the end of filming and people were saying their goodbyes, feeling a bit sad that this wonderful experience was ending. Then I laughed at myself, since this ending came more than 30 years ago, and if it hadn’t ended, I wouldn’t be reading this book because there would have been no movie.

I was a bit surprised to learn that the movie was initially considered a disappointment upon its release. It didn’t do very well at theaters and only took off later on home video. I’m one of the few who actually saw it in the theater in that initial release. I don’t remember having heard of it, but I went with friends (or, more accurately, I was included in a group of friends who went to see it because I was the one with a car) and the friends picked the movie. I loved it instantly. I remember describing it as a spoof that was also the gold standard of the kind of thing it was spoofing. Everyone I knew had seen it and incorporated lines into normal conversation. But I guess I was living in a bubble at that time rather than in the mainstream of popular culture, since I was in college and living on the honors floor (the nerd floor) of the dorm.

In a way, there are parallels to Enchanted, Inc., in that it was mis-categorized and barely promoted, but it’s endured and people are still discovering it. It hasn’t yet become a pop culture phenomenon that’s widely quoted, but maybe someday …

After reading this book, I had to watch the movie again, and I found that it made me love the movie even more. As familiar as it is, I noticed new things from watching it so intently to look for things mentioned in the book. Often, learning how things were done ruins the magic, but in this case, it seems to have enhanced the magic. I’ve never been all that affected by the relationship between Westley and Buttercup. This isn’t the movie I turn to when I’m in the mood for romance. But I got it this time, possibly from knowing the actors fancied each other. I could see how that colored their dynamic. It helps that the last time I’d seen this movie, it was at church when the pastor was doing a series of sermons tied to movies. We had a movie night at the church, then Sunday the sermon used that movie as an example. For this one, it was about steadfast love, that Westley was so devoted to Buttercup he even resisted letting death separate them, while she had absolute faith he would come for her. The romance genre is mostly about the couple overcoming their internal conflicts to develop a relationship, and since that part is glossed over in the opening here, I hadn’t thought of it as too romantic. But there is a different kind of romance involved with a couple that’s already together who manage to hold on to their love in spite of external conflicts. Their love is a quiet assurance. It’s the rock amid all the other drama.

If you love the movie, I recommend reading this book. And then you’ll want to watch the movie again.

writing life

Back from Staycation

I’m “back” from my staycation — sort of. The original plan was to take a whole week off, so I guess I’d have been back today anyway, but I started working again on Monday. The weather didn’t really cooperate with my plans. I’d hoped to take some long walks, but we had a massive wind storm, with a couple of days with gusts of 40 to 50 miles per hour. Walking would not have been fun. Then it got too hot for a long walk (especially in the sun), and then it got cold and rainy. If you’re not doing anything, then a “staycation” starts to feel like being lazy at home, and do that for too long and you just get into bad habits. I spent a couple of days obsessing over a puzzle, and then I got bored. I actually wanted to get back to work.

So, I’m transitioning into what I’m thinking of as a creative retreat with a flexible schedule. Before I start a new project, I like to immerse myself in things that inspire me for that project. I read and watch things for research, like documentaries relating to the setting or some element of the story, plus I look for things to watch that remind me in some way of the story. It may be a movie set in the setting of the story, or something that stars someone I’ve mentally cast as one of my characters, or just something that has an element in it that I want to put in my story. I may listen to music to come up with a “soundtrack” for the story. It’s all about giving my brain input to create the movie that plays in my head that I then transcribe into a novel.

So, I’ll be doing that, along with the usual admin stuff I need to be doing for work. But if it happens to be a perfect day to pack a picnic lunch and go for a long walk in the woods, I’ll do that. If it’s a perfect day to curl up with a cup of tea and a good book, I’ll do that (as I’m planning to do today since it’s cold and rainy).

It’s not a full-on writing schedule, but I am doing things that relate to work that move me closer to being able to start writing, but also with enough flexibility for me to take some time off and revive myself, so it functions like a vacation.

 

movies

Pixar Therapy

I recently read a book on dealing with stress and burnout, and one of the things they recommended was completing the stress cycle. The physical responses we have to stress are fight, flight, or freeze, but we can’t respond that way to most of the things that stress us out in the modern world (or we’d get in trouble if we did). If you run into a lion while hunting, you’d run back to your village, and then you and the other villagers might fight it. You’d have a cathartic moment when you knew you were safe and your body could move out of the stress response. You don’t really get the same cycle of stress and release when your coworker gets annoying in a meeting, so you stay in a state of stress.

One way to deal with this stress is through exercise, letting your body feel like there’s been a fight or flight so it can relax. Another way is to work through emotions. Have a good laugh or cry. Watching a tearjerker movie can work you through the cycle because if it’s done well, it covers a full emotional journey that comes to a satisfying conclusion. Reading that, I realized that would make Pixar films actually work as therapy. You go on an emotional journey that makes you laugh and cry and come out feeling transformed (and they’re very conscious about doing that).

So, last weekend, I opted for some Pixar therapy on my movie night and watched Onward, the movie that kind of fell between the cracks because it was released a couple of weeks before the pandemic kicked in and movie theaters closed. It was utterly delightful and a perfect example of that laugh/cry emotional journey.

The story is set in a high-fantasy world that’s moved into modern times, like what would happen if a Dungeons & Dragons setting got electricity and technology but forgot about magic. It’s a modern American suburb, but with mushroom tract houses and trolls running the toll booths on the turnpikes. In this world are two teen elf brothers whose father died while the older was very young and before the younger was even born. The younger feels deeply the lack of a father and has very little confidence. The older is a fantasy geek who wishes for the kind of life from the old days before people forgot their magical heritage. On the younger’s 16th birthday, they get a wizard’s staff, a magical stone, and spell that will allow them to spend one day with their father. They get the lower half reconstituted, but then things go wrong, and they’ll need another stone to get the rest of their father so they can actually talk to him. Off they go on an epic quest with their father’s legs, relying on the older brother’s knowledge of fantasy and the younger brother’s latent magical abilities, but the longer it takes them to get what they need to complete the spell, the less time they’ll have with their father.

This movie is laugh-out-loud funny, both using and poking fun at established fantasy tropes, while at its heart it’s a serious and emotional story about loss, family bonds, parenthood, and finding confidence. During the big, climactic sequence, I was alternating between laughing and sobbing. It’s perfectly cast, with Tom Holland (Spider-Man) as the timid younger brother and Chris Pratt (Guardians of the Galaxy) as the brash older brother. I suspect the animators were inspired by the actors because you can see their facial expressions and mannerisms in the animated elf characters. I’m sure there were little details I missed in all the fantasy worldbuilding, so I’m sure I’ll be watching this one again.

This one might be either rough or cathartic for people who’ve lost a parent, depending on where you are in the grieving process. It might help a kid who’s lost a parent process their feelings, or it could just rub on the emotional raw spot, so be aware of this before watching.

It gave me just the right emotional journey I was looking for, and the balance between deep and silly was so good that I’m going to have to analyze the writing to figure out how to pull that off.

Life

Staycation

After getting a book released and my house more or less in order (there’s still work to do in the room where the office is, but the office area itself is all clean and organized), I’m finally taking some vacation time. I’m not traveling, but I’m trying to change things up and take some of the pressure off myself. This week’s posts were written and scheduled in advance, so I can keep promoting my work without having to do anything work-related on my days off.

Weirdly, that means making plans. Planning my days off sounds almost contradictory, but when you travel, you make plans. You decide what you’re going to do on each day of your trip, and the same thing applies to a “staycation.” If I don’t make plans, I’ll just end up having a regular work day, but without the work. I’ll sit down at my computer to check e-mail, end up surfing around on the Internet, and lose the day. I won’t feel like I’ve taken a break because I’ll be doing a lot of the same things I usually do.

So, I’m planning some activities. It’s not a rigid schedule and has a lot of time for sitting and reading or watching movies, but it gives me enough structure to ensure that I actually break with my routine. Today is Spa Day, time to use all the products I’ve accumulated, either buying for myself or getting as gifts. Foot scrub, face masks, the back massaging pillow, the works, along with some yoga and plenty of rest. Other plans for my time off include some craft projects, baking, some long walks in the woods, and maybe a visit to the local art gallery. I have a stack of books, some snacks, and plenty of tea. It’s not quite heading to the Oklahoma mountains for serious hiking and fall scenery, but it’s what I can do under the current circumstances.

According to the doctors at the medical school where I used to work, disconnecting from your daily routine can be refreshing for your brain, whether or not you travel. The trick is to make things different enough to get the same effect as traveling to a different place. I’ll probably come back eager and excited to get going on my next project.

writing life

Celebrating the Wins

Yesterday was release day, and I “celebrated” by going grocery shopping and running some other errands.

I guess over the years the excitement of a new release has worn off. In the early days, it was exciting to celebrate every victory. I got the call from the editor offering to buy my first book when I was at work. When I got off the phone, I was shaking and had tears in my eyes. My boss, a motherly older lady, was passing my office and asked me what was wrong. I told her I’d sold my book, and she gave me a big hug. The office later had a party for me to celebrate the release of that book. When I sold a book to Silhouette, my first with a major publisher, I’d changed jobs since I’d submitted the proposal (it took months for them to buy the book), so I got home on a Friday afternoon to find a message from the editor, asking me to call her back. Then there was another message left later in the day, saying she figured I wouldn’t get the message until after business hours and it would be cruel to leave me wondering all weekend, so she told me she wanted to buy my book. I don’t remember what I did to celebrate that sale, but I bought a TV and VCR when I got the advance check. I’d already bought a nice brooch to celebrate submitting that proposal.

I still have the bottle from the sparkling wine I got to celebrate signing with an agent for Enchanted, Inc. (it now serves as a flower vase). I bought the Infamous Red Stilettos to celebrate getting the publisher’s offer for Enchanted, Inc. I bought a new outfit for release day when I went around to all the bookstores in my area to sign the copies they had in stock (which turned out to be a depressing exercise because most of them didn’t have it). There were booksignings, and those were fun.

But after that, sales and releases were less exciting. Getting the next contract felt more like a relief than a triumph, and the release came after a lot of work. With Rebel Mechanics, the release was a frustration because the publisher had basically forgotten about the book and did no publicity, but I didn’t know they weren’t doing anything until it was too late for me to do much.

An independently published release is a bit anticlimactic. It’s the end of a lot of work, so it’s like dragging yourself across the finish line. You can’t go visit it in a bookstore. You just see the sales numbers start to show up, and you’re already thinking about the next thing. Since you were the one who decided to publish the book rather than it being selected by someone else, it feels more like a choice than an achievement. There’s also no advance. You just get paid royalties every month, so it’s like getting a paycheck.

As you learn more about the industry, you become more cautious about celebrating and announcing a sale. Early in your career, you celebrate at “the call,” when you get the call that a publisher wants to make an offer (these days, I’m more likely to get an e-mail), and you want to immediately tell everyone you know about it. Later in your career, you’ve become wary, so you may wait for the contract to celebrate or announce the sale, or possibly even the advance payment. Sometimes these are spread out over months. You have to work out with your agent and the publisher when and how to announce the deal, so you can’t just run around telling everyone you sold your book as soon as you get the offer.

It’s even worse with TV or movie options. There may be the initial offer, then there’s the negotiated deal, then the actual contract and the payment, and then nothing else may happen. I’ve had possible deals fall apart at various of these stages along the way. Even if things are progressing, you may not be allowed to publicly announce what’s going on (since the studios like to be the ones to announce, and they do it on their timetable), which makes it feel less real. I may be at the point where I wouldn’t celebrate a TV or movie deal until I’m actually watching the show or movie. Then I might believe it’s for real.

I don’t think it’s just me being jaded that has changed things, though. For one thing, there’s a difference between making a book sale when you have a full-time job and when writing books is your job. “Announcing” also means something different now. For my first sale, the Internet was barely a thing, so announcing the sale meant calling my friends and announcing it at my local writing group. The Internet had really come along by the time I sold my later books, but even up to the point of selling Enchanted, Inc., it was a lot less public. There was no real social media, so the Internet amounted to a cluster of smaller communities. I announced the sales on the e-mail loops of various writing groups I was in and to newsgroups and forums I participated in, and while some of those were publicly accessible, it wasn’t as though anything announced there was going to get spread very far. Now, I have an audience beyond just my personal friends, and the Internet is a lot more public. If I announce something on Twitter, it can get spread widely pretty quickly, so I have to be a lot more careful. I generally let my agent make any announcements, and then I share what she announces.

But thinking about this has made me realize I need to find the joy again and remember that each book is an accomplishment. Which is why I made a point of making a nice dinner last night, and I had a s’more for dessert (something that goes with the book). I need to get back in the habit of buying something fun to commemorate each book. I have necklaces and brooches that relate to a lot of my earlier books, or I’ve bought shoes. I don’t know why I stopped doing that, and I shouldn’t have. I have writer friends who have book charm bracelets, and they get a charm to go with each book. I don’t wear bracelets, but I need to think of something to do to celebrate even the tiny victories, something to have that I can look at and remember that it represents a book.

My Books

Weird Weather

Secret of the Haunted Hotel comes out tomorrow, and you should also be able to order the paperback. It will eventually be in online stores beyond Amazon, but I don’t know if that listing has propagated yet.

I’ve realized that this is the second book in the series that involves Lexie being stranded by weather, but that really is a thing that happens in the part of the world where the series is set. In this book, it’s also part of that kind of story. There’s no story if the cops can get there right away or if people can leave. They have to be isolated in the creepy country house while knowing that one of them is a murderer.

Just as the ice storm in Interview with a Dead Editor was inspired by multiple situations I’ve experienced, the storm in this book was inspired by a specific event.

A few years ago, there was an outdoor event at a venue not too far from where I’ve set the fictional town in this series. It had been a wet fall, so all the creeks, rivers, and lakes were already high and the ground was saturated. Then a system hit us and seemed to just sit there. The rain wasn’t that heavy, but it was constant. The outdoor event wouldn’t have been all that bad, though, except that a nearby creek had overflowed, and it sent a sheet of water down a hill, so that the entire event site essentially became a flood plain, with water ankle-deep. The water was flowing to another creek down the hill from there, and the road leading to the venue crossed that creek. It was so deep under water at that point that you couldn’t even see where the bridge was. That meant there was only one road leading out of the site. Fortunately, it was the way I would have been heading, anyway, but most of the side roads were closed. I would not have wanted to be driving out there after dark because all of a sudden, the road would be a creek. There were a few spots where the water was coming down a hill and across the road. You could still see the road because it wasn’t that deep, but it was a few inches deep all over the road. At night, you wouldn’t have been able to tell where the road was.

Even though things were bad and getting worse, there was also a tornado warning, so I didn’t want to get on the road. They herded everyone into one of the indoor facilities at that place until the danger passed. Eventually, the rain eased up, but everything was still under water. Eventually, I was able to drive home, and I was totally drenched and covered in mud.

In that part of the state, there are often flash floods where they have to get people out with helicopters, and there are high-water rescue teams for when the roads flood and people get stranded in their vehicles. So, I’m not stretching things to have a couple of severe weather events in the same area within a short time frame. It’s a hilly area with a lot of creeks and a few rivers, so you get flash floods. I did restrain myself and didn’t include the tornado. I think I’ll save that for another book. I also left out the drastic weather change that followed that system. The next day, it was sunny and muggy, though the ground was still soaked and there was standing water. By the time I got home after the event, another front was coming through, and it dropped something like 20 degrees. It was just starting to get chilly when I got home, and then it got downright cold.

Basically, if you like having weather affect your plot, Texas is a good place to set your book.

Metaphorical Cleaning

My house cleaning and office organization project continues. So far, I’ve got the downstairs except for the kitchen cleaned (the kitchen is going to take extra time, not so much because it’s dirty but because there’s more to do, like wiping down the inside and outside of appliances, cleaning the oven, etc.) and I’ve organized the area under my desk.

My desk is deep and doesn’t have built-in drawers. It’s basically an L-shaped table with a keyboard drawer, and that means there’s room under it for storage. I’ve got a stack of plastic drawers on one end. Under the corner is a unit with a big drawer/bin and a shelf, and then I have the printer cart from a previous desk, from back in the day when you would put your tractor feed printer on top and your paper below, and you’d feed the paper up through a slot to the printer. That cart is now where I keep my printing supplies. I sorted through all that stuff, so now I can easily find the printer paper, writing paper, and all the various kinds of stationery I’ve amassed, including notecards and postcards that can be run through a printer. I also organized and sorted through all the notebooks that go on the shelf of the corner unit. The area looks so nice now that I find myself just gazing at it.

Then I made a big change on the top of my desk. My desk is a bit tall for me. I put my laptop on the keyboard drawer and it’s more or less at the right height if I keep my chair high enough, which means I need a footrest. But I was feeling really hemmed in by the desk and was pondering if I needed to get something different. Then it occurred to me that the problem was really that one of my printers, the inkjet that’s also a scanner and copier, was sitting right in front of me on the desk, making the desk look even higher and blocking part of my view out the window. I’d put it there because when I was using my office previously it was before I got Wi-Fi, so I had to be able to plug the printer directly into the computer. Now it doesn’t matter where the printer is, so I moved it to that cart behind my desk.

And it was amazing the difference it made. It cleared a lot of space on my desk and opens that whole area up. I have a clearer view and feel a lot less “trapped.”

I think there’s a metaphor in there. I was feeling trapped by something that had served a purpose at one point in my life. Things had changed so that it no longer needed to be where it was, but I hadn’t realized that or thought about it until I looked at things in a new way. I think we tend to do that in life a lot, let something that doesn’t have to be the way it is anymore keep us feeling trapped because we don’t stop and think about why we’re doing things the way we’re doing them. It’s worthwhile to question things every so often and consider whether a change would work.

Or something profound. I just know that now I can see more of my plants and out the window instead of having a big, black thing right in my face.

Since I have a book releasing next week, my progress on the office is going to have to slow down. But I’m determined to get it done this year, even if I do only a little bit every day.