Books
The Problem with Series
by
I’ve realized that although I love series, I also have a difficult relationship with them.
On the one hand, if I fall in love with a world and the characters, I’m a bit disappointed to find that there isn’t more. I want to return to that world and spend more time with those people.
On the other hand, there are a lot of ways that a series can go wrong for me. For one thing, I have a bad habit of burning out when I binge a series. If I find a book I love and there’s another one, I grab it right away and plow through it, then grab the next one, and I often give up about halfway through that one. There are a number of series on my shelves with a bookmark midway through book 3. I don’t know how much that’s me or how much it’s about the books. Often, book 3 is where things go darker and more intense, where the characters begin to really change, so the books start to feel different from what I fell in love with in book one. That’s also often where the party gets split, with the story going off in two different directions, and frequently it focuses on the characters I don’t like so much while barely touching upon the characters I like most. Sometimes their story gets picked up in the following book, but if I don’t get through book 3, I’m not likely to get to book 4. Still, I have found that I’m more likely to finish a series if I read something else between books, so some of it may just be my issue.
Then there’s what often happens to the story in the series. Book one is usually fairly standalone, even if it does leave things open for a sequel or even sets up the sequel, since that’s the book the author sells to the publisher. That book needs to have a clear beginning, middle, and end. Book 2 may even be that way, since the author has usually written it before book one gets published (I’d written Once Upon Stilettos before Enchanted, Inc. was released). But once they know it’s going to be able to be a series, things can get wacky. That’s where story structure sometimes flies right out the window. A whole book may be setup for the epic conclusion in the following book or may be a side quest or diversion to delay the ultimate confrontation.
I had two frustrating series experiences this week. In one, I suspect the series was meant to be a trilogy, and when book 3 came in really long, the series was successful enough that the publisher decided to split it into two books. I was chugging along in book 3, and things were just about to kick into high gear, at the part the hero’s journey calls “approach to the inmost cave,” when the book just stopped. I may have actually shouted, “What?” This morning, I got book 4 from the library, so now I get to see what happens.
With the other series, I kind of feel like the plot is just an excuse for the characters to hang out together. There’s this supposedly dire situation that they have to deal with before the evil wizard takes over the world, but two books into the series and they haven’t done much of anything about it because they keep getting sidetracked. They go to a place to get or do something, but then they spend page after page just hanging out and talking to each other. I’m okay with a story that’s mostly about the relationships among characters, but it doesn’t work if there’s that constant threat of the world being destroyed in the background, and they’re the only ones who can save the day, but they’re more concerned about their feelings for each other.
I have mixed feelings about the “world” kind of series, where there’s a different protagonist in each book. If I find out that there’s a different protagonist from the one I fell in love with in book one, I’ll be reluctant to read book 2, only to fall in love with the new person when I do read it. The same thing happens when there are sub-series within a big series, so there may be the same protagonist for several books, but there are mini-series set in the same world that focus on other characters, either in a different time or in a different place or sphere of life (like, say, the Guards books and the Wizards books in Discworld — they’re set in the same city but focus on different things, and then there are other Discworld books taking place in a different part of the world). There have been times I put off reading a book that didn’t focus on the characters I liked, only to finally read that book and love the new characters even more, so then I’m less thrilled about going back to the original characters.
I’ve mostly written the kind of series in which each book is more or less a self-contained story that fits together in a big-picture story, with the same main characters in each book. Now I’m exploring some other ideas and trying to figure out whether I as a reader would want to keep reading, would I burn out, would I get sidetracked, or would I fall in love with each new group of people.
But first, I need to know what happens next in that series I’ve been reading.