writing, movies
Specific and Universal
by
I was surprised to see a criticism of the movie Turning Red that suggested it was too specific in its setting, that it would only appeal to the filmmaker and her friends, people of Asian descent who grew up in the early 2000s in Toronto.
I found that rather baffling because stories are supposed to be specific. The whole idea is to take something universal and put it into a specific place and time. I’m not of Chinese descent, was a pre-teen long before the early 2000s, and have never been to Toronto, and yet I related quite strongly to the characters in that movie. It reminded me so much of my seventh-grade year at a US Department of Defense school in Germany in the early 80s.
I have to wonder if this reviewer has ever seen any other Pixar movies. Last weekend, I watched the first two Toy Story movies. I am not a cowboy toy owned by a little boy, but I related to the fear of being replaced. That sort of experience comes up so often in life, like when your friends really seem to like the new kid in school and you worry you’ll lose them, when that new employee is so slick and cool that you’re worried your career is going to come to a screeching halt, when get a baby brother or sister and worry your parents will have less time for you. It’s a universal feeling put into a specific setting.
In fact, just about all stories are like that. You might be able to find a few things that are about someone exactly like you who’s experiencing something exactly like your life, but I’d think they’d be kind of boring. Why read or watch a story that’s basically about your life? We’re not space knights, superheroes, princesses, 1940s private detectives, or any of the other heroes that show up in fiction, but we can still find things about them that we can relate to.
That doesn’t mean, though, that not everyone needs to be represented or to see themselves in stories. Every so often it’s fun to find something that you relate to not only on a universal level, but also in something specific. I was in my 40s when the movie Brave came out, but it still gave me a huge thrill to see a curly-haired heroine—one who had real curly hair that acted like real curly hair, not like a straight-haired actress who’d had a curling iron waved in her general direction. Even better, she didn’t get a makeover in which she suddenly became beautiful when her hair was straightened. If that movie had existed when I was a kid, it would have had a huge impact on the way I saw myself. I think everyone needs to see themselves in stories at some point.
I suspect this writer thought the setting should have been more “universal,” like middle America. We need to get past the idea that white middle America is some kind of default that’s universal. It’s not, really. For one thing, which America? A town in the deep South isn’t the same as one in the northeast, and both are different from the midwest, which can vary depending on whether it’s north midwest or south midwest. There is no “universal” setting. I suppose the Toy Story movies do take place in some kind of generic suburban middle America, but since it’s seen through the eyes of toys, they have no real experience of the world outside Andy’s home so they have no idea where they are. Their specific world is Andy’s home.
When you try to have a generic setting with real people, you get a Hallmark Christmas movie, where they talk about the city without naming it and the small town may have a name, but you never know where this town actually is. The cars all have generic plates, if they show the license plates at all, so you can’t even tell what state they’re in. It’s just generic middle America, and it doesn’t seem like a real place. That’s the irony: the less specific you are about your setting, the less real it feels. You don’t find the universal emotions in the story when the setting feels fake. You’re more likely to relate to something in a specific setting that’s far from your personal experience because it feels more real.
This applies to made-up places, too. You need to make up a place that feels specific, like someone who grew up there could tell you exactly what it was like. Otherwise you get those generic quasi-medieval European-ish fantasy worlds.