TV, My Books
Returning to The Office
by
I recently stumbled, quite belatedly, onto The Office Ladies podcast, in which Jenna Fischer and Angela Kinsey (Pam and Angela on The Office), who became best friends during the process of making the series, do a rewatch and dish on the behind-the-scenes info about the making of each episode. I was aware that this existed, but I’m not really a podcast person. Then the episodes that are on YouTube showed up as “recommended” for me, and it turns out that they’re perfect for listening while I do Sudoku, crossword puzzles or online jigsaw puzzles. And that got me started rewatching the series to catch the things they mention. I did a partial rewatch a few years ago but got sidetracked before I finished it. Now I’ve been going back and looking for the things they point out in the podcast.
I actually watched this series in the first place because when they showed Pam in one of the promos, I immediately said, “That’s Katie!” and had to watch to see who this character was. The series premiered a couple of months before the first Enchanted, Inc. book was published, so it had already been entirely written and edited and the review copies had even been printed. That means The Office in no way influenced my series. But it was like seeing my own character that I’d already written come to life.
Her hair in the first few seasons is different than I see Katie. I think Katie looks more like Pam did in later seasons when she didn’t have the long, curly hair (which is ironic, given that I have long, curly hair), and Katie’s probably a bit spunkier than first season Pam. But Pam otherwise fit my description of her being like a girl next door, hair that wasn’t quite blond and wasn’t quite brown, eyes somewhere between green and blue, the kind of person whose description could apply to half the population. She even dresses a lot like I imagined Katie dressing. I guess first season Pam was more like Katie before she gets the job offer, when she’s in her original job at the beginning of the book, before she gains a bit more confidence and gumption from realizing that she has something special about her.
Then there was the office setting. I’d tried to do more of a workplace comedy at first, something a lot like The Office, but with magic — except there was no US The Office at the time, and I didn’t see the British version until later, so I didn’t have a good frame of reference. That idea mostly went by the wayside as the magical plots took over and the characters came to life. Before I decided that Merlin would be the boss and he’d actually be a good boss, I had the idea of the boss being someone more like Michael, mostly because I have had that boss (he even had the same first name). He wasn’t quite that stupid, but he was really big on the whole “having fun” thing and liked to have parties, only ours were usually after work, which forced us to stay late at the office or go to work-related events on weekends. He once came up with this whole incentive program where you set your goals for the week, and if you hit them, you got to leave early on Fridays, but then he’d plan either mandatory meetings or office parties for Friday afternoons, so you couldn’t actually leave. His whole life was the office, and he tried to make it that way for the staff.
I ended up not using that in the book. The only thing that remained from that original character was the bit about Merlin reading all the fad management books, though I ended up using that to show how he thought they were kind of dumb instead of constantly adjusting course based on which book the boss had just read. That came from a different job where the upper management of the company seemed to go through a different management trend every year. When I moved, I finally got rid of some of the stuff they handed out for each year’s theme.
Now I’m so far removed from the working world that I can look at this series almost as a fantasy show set in a strange, unfamiliar realm. It’s funny to look at it now and remember that feeling of deja vu as I remembered my former boss but also saw one of my characters come to life. It’s been about 20 years since they filmed the pilot episode, so Jenna Fischer has aged out of the role of Katie, but that was definitely the type I had in mind as I wrote.