I’d have to look at a calendar to find the exact day, but we’re approaching the 15-year anniversary of when I started actually working on the first Enchanted, Inc. book.

I’d had the idea about a year and a half earlier, but I really wasn’t sure what to do with it because there was nothing quite like it in the market. It was “girlier” than most fantasy and was in a contemporary setting, which was quite rare at the time, but it wasn’t really romance. Every so often I’d play with the idea and add to it, but I was focusing on writing other things.

Then at some point in July, I was at a conference, and there was a party to launch a new fantasy imprint from Harlequin that was going to be more female-focused. The pre-launch guidelines said they were looking for traditional fantasy, which meant that even if it might be a good fit for the “girly” side of my book, they probably wouldn’t be interested.

But at the party, one of the editors wandered over to me and asked if I had any questions. I asked if they’d ever consider contemporary settings. She said they might and asked if I had something. I started telling her about this idea I had. She seemed quite interested (one of my friends who was nearby said her nostrils flared) and kept asking me questions. By this time, I’d run out of what I’d already developed and was making things up on the spot. She handed me her business card and said she’d love to see it. I told her that I’d just told her all I had. I hadn’t written any of it yet. She said, “Then why are you standing around here? Go write!”

And that was why I decided to try writing that crazy idea I had.

That editor actually ended up rejecting it, but I might not have started writing it if she hadn’t shown interest.

I never did really find the right market for it. It ended up being published as “chick lit” because that was what was really hot in the market at the time. It was up between two publishers, one that was going to publish it as chick lit/women’s fiction and a fantasy publisher, but the fantasy publisher couldn’t get the auction bid together. The chick lit market utterly tanked a couple of years later, and the books being promoted as women’s fiction and sometimes paranormal romance meant that fantasy readers didn’t really find them unless they heard word of mouth. I’ve often wondered what would have happened if the other publisher had been able to pull things together, since female-focused urban fantasy became huge not long after that. I’d have been on the leading edge of a trend instead of the trailing edge.

But that’s water under the bridge, and that book has done well for me. It’s still selling steadily and most of my income comes from that series. I’m thinking book 9 will be the end, aside from shorter pieces, because nine books is a pretty long series and I’m ready to try other things. But I also love those characters, so you never know.