Part of my birthday celebration last week was taking myself out to a movie — for the first time since the pandemic began. I went to the movie theater downtown to see Superman. This theater is vintage 1930s Art Deco, though with upgraded seating (recliners with footrests) and modern digital projection and sound. It seemed apt for Superman, like the kind of place Clark Kent would have gone to a movie in the earlier incarnations of the character.

Anyone who’s read my books would probably have guessed that I loved it because Clark/Superman here is basically an Adorkable Wizard. I’m naturally going to love a dark-haired guy with superpowers who’s still a bit dorky and awkward and generally good.

I’ve never been a huge superhero fan, mostly because I never got into comic books (no snobbery, I just never encountered them other than compilations of newspaper comics). I only knew superheroes through TV and movies, but occasionally really got into those. I remember running home from the bus stop every afternoon to get home in time for the daily Batman rerun, I watched the 1970s Spider-Man and Hulk TV series and the various superhero Saturday-morning cartoons. I saw the 1978 Superman movie and some of the sequels, then the Lois & Clark series in the 90s.

Out of all that, I’ve always been fond of Superman because I like the idea of the guy with great powers who isn’t dark or edgy and who uses his power to help other people. I tend to prefer the presentations with the idea that Clark is who he really is and Superman is merely an identity he puts on for his good deeds in order to protect his family and himself so he can have something of a normal life. I’m intrigued by the conflict inherent in that, when he gets all kinds of recognition as Superman but is ignored as Clark.

So, basically this movie was all the things I like about the idea of Superman, put together in one story, with Clark struggling with identity and purpose while remaining a ray of sunshine and an absolute cinnamon roll of a guy. I also love this version of Lois Lane and her being smart and snappy, the kind of dame you could imagine being in a 1940s movie. This version of Lex Luthor was a little eerie given what’s been going on with billionaires. You could think of him as Elon Bezos, though I think it would have been more realistic if he’d bought the Daily Planet so he could control the messages about both Superman and himself.

The way they used the 1978 John Williams Superman theme woven into the score brought goosebumps every time. That’s become such an iconic piece of music, so I couldn’t have imagined Superman without it, but it’s interesting seeing how they updated it. I just wish they’d also woven in the love theme from the 1978 movie because it somehow became an earworm after seeing the movie, possibly because I’m most familiar with the Superman March arrangement that incorporates it, so hearing the main theme without the love theme made it feel unresolved, and that made my brain try to resolve it. Oddly, it was the pop ballad version that really got stuck in my head, so I had to track that down on YouTube.

I don’t know if this is going to be a buy it on Blu-Ray kind of movie for me, but it was good for a smile and some inspiration. It was the kind of story that made me want to be better and do better. I don’t have superpowers, but what do I have the power to do?