Archive for July, 2021

writing life

Fiction Friday: Brainstorming Day

After coming up with the idea for doing Fiction Fridays a couple of weeks ago, I might actually get to do it this week. I launched a book and finished one proofing pass on another. I wrapped up the freelance articles I’ve been working on. There’s administrative work I could be doing, but none of it is urgent. I have a virtual conference Zoom roundtable discussion this afternoon, but other than that, I have a day free for making up stuff. And that means I’m going to start brainstorming and outlining the next mystery book.

I’m excited about this one because the general concept is something that’s been in my head for a couple of decades, with different characters in the lead. I keep “auditioning” characters for this story, and I’ve never had a good place for it until now. And now I have the perfect place for it.

I realized, though, when I started thinking about the outline for this book that the story concept I’ve had all this time was pretty thin. It gives me a setting and a very basic situation. I still have to come up with the actual crime and how it’s going to be solved, and whatever else they’ll discover along the way. That’s going to take some serious pen-and-paper work, maybe some pacing and talking to myself. Which, I guess, counts as exercise, while I’m at it.

So, that’s most of my day set. It’ll feel like an early start to the weekend.

Books

Too Romancey?

I’ve mentioned before that I’ve had books with almost no romance in them rejected by fantasy publishers as being too “romancey.” I’m reading a book right now that gives me an understanding of what they might have meant, though I still don’t think it applies to my writing.

It’s a fantasy book by an author who’s written historical and time travel romance. I can’t tell if it’s published by the fantasy imprint or the romance imprint at that publisher (it’s a publisher that does both, and there’s no indication of which side of the house it comes from, just the generic umbrella publisher name). Structurally, it’s more of a fantasy. The romantic hero and heroine don’t meet until about a third through the book. There’s a main plot that has nothing to do with the relationship. You could remove the relationship without really affecting the main plot. There’s no sex and not even a kiss, though the hero and heroine are in love (he admits it, but she’s still half in denial while still having obvious feelings). That would put it firmly on the fantasy side of the fence. I wouldn’t think you could publish it as romance (unless the fact that the author is a romance bestseller is a factor). Someone reading it for the romance would be very disappointed.

And yet it all feels very romancey. This fantasy plot is written like it’s a historical romance. The voice is straight out of romance, as well as the internal thoughts of the characters regarding each other. He spends a lot of time thinking about how beautiful she is. Once the hero and heroine meet, the main plot takes a backseat to their developing relationship. While you could remove the relationship without affecting the main plot, it would be a really thin and weak story if you did so because there wouldn’t be much happening. At times, it almost feels like the author forgot about the main plot, and she did seem to forget about the other characters. It’s one of those “couple in a group on a quest falls in love along the way” stories, and the rest of the group gets so forgotten that when one of them is mentioned later, I had to flip back to remember who that character was. He’d been present in the group all along, but he hadn’t been mentioned for a couple hundred pages. The quest is supposedly quite urgent, but reasons for the whole thing to pause while the hero and heroine go off and do something alone for a few days or for the rest of the group to go off and leave them alone for a day or so keep coming up.

I mostly like the characters (though I sometimes want to throttle the heroine). The hero isn’t the typical romance hero, which is a plus. He’s a character type I adore. But I kind of want to rewrite the book. It’s so close to that model of what I love and have been looking for, but in spite of being written like a romance, it’s missing the spark that I get when that trope is done well. It’s somehow less romantic than it likely would have been if it had been written more like a fantasy. There’s zero subtext. It’s all right there — she’s the most beautiful woman ever, so he loves her even though he sometimes finds her infuriating. And, no, I’m not going to name a book I’m criticizing like this.

So maybe that’s what the editors mean about my writing when they say it’s too romancey even though there’s little actual romance in the book and the two characters don’t even kiss. I wouldn’t have thought my voice comes across as “romancey.” I have to keep reminding myself to give character descriptions and to put the emotions in, but I do sometimes let a character fixate on some aspect of their crush object and mention it a lot. I’ll have to keep this in mind going forward. Not that a romancey voice is a bad thing (that’s where the publishing money is), but it’s bad if it keeps getting me rejected from where I’d like to have my books be, while my books aren’t anything that could actually be published as romance because they’re so lacking in romance.

My Books

New Book News

I’ve mentioned that I was working on this, but it’s finally here — the e-book and paperback versions of the audiobook Make Mine Magic will be coming next week, released on July 29. You can pre-order at the major retailers.

Amazon

Apple

Barnes & Noble

Kobo

And for all others, here’s the Universal Book Link

This is a contemporary fantasy similar in style to Enchanted, Inc., but probably less funny, since I wasn’t aiming for outright comedy, and in a different fictional universe. I’ve been asked if this will be a series, but I really have no idea. I wrote it for Audible as an Audible Original, but they changed that program, so they aren’t doing more original novels. It’s mostly shorter pieces or tie-ins to existing series. So, they haven’t asked for more books. Whether I write more will depend on how well the print book sells. I left it open for a possibility of more books, but I don’t actually have a story idea for another book right now. It’s a fun little magical romp, and I wanted to release this version because I know there are people (like me) who don’t do audiobooks.

There’s more info on the book’s page on my website.

Then the next Lucky Lexie mystery will be coming in late August. I’m editing it right now, and I already have a cover done. More details later as we get closer to that time.

Books

Weird Reasons to Read (or Not)

Sometimes the reasons we read, or don’t read, books can be a little strange. I’ve bought books because the cover was illustrated by someone who illustrated the covers of other books I liked. They were entirely different kinds of books, but I guess I thought that the art linked them, somehow. It wasn’t a rational choice, though it ended up working for me in some cases.

I’m currently reading a series that I didn’t read previously because the author’s name was too similar to the name of an author I liked. Weird, huh?

When I was in high school and college, I was obsessed with the Deryni books by Katherine Kurtz. This was before the Internet, so there weren’t a lot of ways to know if an author was going to have a new book coming out, other than maybe some of the specialty magazines (that I didn’t know about at the time). You mostly found that there was a new book by checking the bookstore every time you went to see if there was anything new. I discovered Kurtz (or I guess I could call her Katherine, since I actually know her now) when she had a bit of a lull between books, so I’d binged everything available up to that point, then had to wait for the next new one. Every time I went to the little bookstore in the mall, I’d check the K shelf of the fantasy section, and I’d get excited when I saw something by another author with a similar name — Katharine Kerr. Even the name of the series was similar enough to fool you if you saw it out of the corner of your eye, Deverry. I’d run by the bookstore (they had small bookstores in most malls back then) whenever I was in a mall, and it was just similar enough to jump out at me as my glance skimmed over the shelf. I’d get that “new book!” thrill, then take a good look and realize it was something different. Then I’d be so mad at that (poor, innocent) book that I wouldn’t even look at it because it had disappointed me by getting my hopes up and then not being what I wanted.

Then not too long ago, I saw something mentioning that series and thought I ought to give it a try. It turns out that it was the sort of thing I would have liked, so I was missing out by blaming those books for not being what I hoped they would be. They even have some similarities to the Deryni books in that the world is loosely based on medieval Wales. This series draws upon Celtic mythology, imagining a world in which some souls are doomed to make repeated returns to life until they resolve a particular issue, and in each go-round, those people tend to find each other and replay the same sort of conflicts. In the “present” of the story, we have the latest incarnations, but woven throughout is the story about how they got into that mess to begin with. Tying the threads together is an ancient magical man whose error in the past set a lot of things into motion, and now he’s stuck staying alive until he can fix it and free the others from the loop. He’s found the appropriate souls in their new lives, and they’re caught up in a conflict stirred up by others with an agenda, which complicates matters. He can’t really fix his own issue until he finds a way to defeat the bad guys so that the people he’s looking out for don’t get killed before they get set on the right path.

Our main character in the “present” is the daughter of a mercenary soldier who’s grown up traveling with her father and who is now the equal of most swordsmen. I was afraid we’d have a case of “not like other girls” with her being good at typically male things and that making her better than most women, but the cast of characters is pretty well balanced with other women who are good at politics and diplomacy or herbs and healing. When we had the inevitable “strong female character is terrible at sewing” scene, it’s not treated as that somehow making her better. The story points out that the noblewomen are responsible for providing clothing to the people who work for them, so this is necessary work, and she’s not good at it because she’s had no practice. That’s refreshing to read, especially since these books were published in the 80s.

The first book is Daggerspell, and I just finished the second book, Darkspell. There is some unsavory content that’s a bit questionable in places, but I felt like it was handled with some sensitivity and wasn’t dwelt upon for titillation. Let’s just say that some of the same things that are in A Game of Thrones are in these (though published nearly a decade earlier) but they’re handled in a very different way with a lot less relish.

It seems that these books are considered Sword & Sorcery or Epic fantasy, but what I liked is that they’re really about the relationships among this group of people and how these relationships have affected history over the centuries. I like the back-and-forth nature of the storytelling, showing the past lives and how they affect the present. Each book seems to focus on a different go-round of the past while moving the present story forward. I guess it’s kind of like Lost or Once Upon a Time, with the flashbacks and the present-day stories.

I got these books from the library, so I have no idea if they’re still in print (they do seem to be available as e-books), and I don’t know how well the series will progress or end. But I have requested the next book in the series as soon as I’ve finished reading one, so I guess they’re keeping me interested. I don’t hear a lot about Kerr now, but she seems to have been publishing at least up to 2009, with 15 books set in this particular world, and it looks like she’s self-published some things more recently. She seems to be one of those woman fantasy writers who’s forgotten when people act like women didn’t get into fantasy until recently.

People who like epic fantasy like The Lord of the Rings but also want character-driven stories are most likely to enjoy these.

publishing business

Category Confusion

As part of the idea of finding a lane and sticking to it, I’ve been taking a look at the various categories that books are sold in, primarily at Amazon. And that gets confusing because there’s no actual definition for any of the categories. Authors and publishers can select the categories themselves, and Amazon may select other categories based on similar audiences. The best you can do for figuring out the definition of a category is look at the books that are in there, and that’s not always consistent.

For instance, in fantasy, there are categories like “action and adventure,” “epic,” “historical,” and “sword and sorcery.”

Action & Adventure seems like a catch-all. Most traditional fantasy has some kind of action and adventure in it, and the category is full of the common bestselling fantasy series, like A Song of Ice and Fire, Wheel of Time, and stuff by Brandon Sanderson, as well as a lot of Dungeons and Dragons game manuals. So maybe you could classify this category as “fantasy for people who play D&D.”

The Epic Fantasy category has pretty much the same books as Action & Adventure, plus the Lord of the Rings books (which may have also been in the A&A category, but further down, as I didn’t drill too deep).

If you asked me to guess which books would be in “Historical Fantasy,” I’d have gone with books set in a defined point in history, but with the addition of fantasy elements, such as Jonathan Strange and Mr Norrell, which is about the Napoleonic Wars but with a magician as part of the British forces, or the Temeraire series, about the Napoleonic Wars but with an air force consisting of dragons. I guess you could also call that alternative history, but I tend to think of alt history as where history has gone off in a very different direction because something different happened, like my Rebels books, while those books have more or less the same history playing out, but it does so with fantasy elements. We’re not seeing what happens if England loses to Napoleon at Waterloo, just England winning at Waterloo with the help of a wizard. So, fantasy set in the history of our world, vs. secondary world fantasy.

And yet, I remember the Deryni books by Katherine Kurtz being called “historical fantasy.” They were secondary world, but that world was based very closely on our world. Kurtz was active in the Society for Creative Anachronism and was a stickler for getting the details right. There might have been people with magical powers in her world, but aside from that, she wanted the clothing, weapons, and technology to be historically accurate for the period in which she set her books. In one of the books, there’s an author’s note apologizing for using a kind of boat that didn’t come along for another hundred years or so after the period she was writing about, but she needed a boat with particular capabilities for the plot to work. Her land was roughly based on Britain, but with a somewhat different geography and very different politics, but did have Christianity. So I guess “historical fantasy” could also be about a secondary world based closely on a particular era of our world instead of being wildly different and having races like elves and dwarfs.

Looking at what’s actually in the category, it’s a lot of the same things that were in the other categories, plus the Outlander books and Erin Morgenstern’s books (The Night Circus, etc.).

I’ve thought of Sword & Sorcery as being something like the Conan the Barbarian books. But I’m reading a fantasy series now that has a blurb on the cover calling it “one of the best sword and sorcery fantasies in years,” or something to that effect, and I’m not sure I’d ever have looked for something like it in that category. There are swords, and there’s magic, but the focus of the series is on the relationships among the characters. On Amazon, that category is almost identical to Action & Adventure and Epic.

You get very different results if you look in “books” instead of “Kindle e-books” since the Kindle Unlimited books dominate in e-books, and those tend to go after a very different audience. They’re very trope-driven and are very much in that “find your lane and stay with it” way of writing. You also see different things if you look at the bestsellers vs. just browsing in the category (the bestsellers are a current snapshot, but there’s some kind of consideration of sales over time in browsing, apparently).

I find all this a bit frustrating as both a reader and a writer. It doesn’t help in finding books if the same books are in every category. Why bother having such narrow categories at all if they all end up being the same, anyway? When there’s little difference between the books you see in plain-old “Fantasy” and the books you see when you break it down into smaller categories, and there’s little difference between categories, there’s no point in having the smaller categories. You might as well be like the big bookstores and just have a general “Science Fiction and Fantasy” section. Yeah, you might have some books that are historical, epic, action & adventure, romantic sword & sorcery, but all of them? Maybe what we need are more specific categories — secondary world, quest stories, non-grimdark (or shove grimdark into its own category without it also spilling over into all the other categories). And maybe separate categories for romantic urban fantasy (that’s really just paranormal romance) and “traditional” fantasy with romantic elements. I guess you can drill down into some of that with keyword searches, but I haven’t had a lot of luck. I even have software that lets me look up how a particular book is classified and what books you get when you search for a particular keyword, and that hasn’t helped me find books. Yeah, the software’s supposed to be for self-published writers to figure out which keywords and categories will be best, but I find it’s also useful to look up a particular book I like to see what categories it’s in, so I can then look there for other books like it.

Meanwhile, it doesn’t make it any easier to figure out which “lane” would be the best fit when they’re all more or less the same. I’ve got a virtual conference starting this weekend about the business side of publishing, so maybe I’ll learn something there that will help me.

Books

Another Look at Beauty and the Beast

Thanks to a recommendation after I discussed The Beast’s Heart, I read Beast: A Tale of Love and Revenge by Lisa Jensen, and I highly recommend it as a very different spin on the Beauty and the Beast tale.

This one is told from the perspective of a servant girl in the palace of the spoiled young nobleman. After he rapes her, she vows revenge, and the wise woman of the forest curses him to be the beast he is on the inside. The servant girl wants to watch his suffering and is transformed into a candlestick so she can stay in the palace (basically, Lumiere, but no dancing. She’s aware of what’s going on but can’t move other than to raise or lower her flames, but can communicate telepathically). But the Beast seems like an entirely different person than the nobleman, not even remembering his life as a human, and they strike up a friendship. And then a merchant shows up, looking for shelter, which changes everything.

This is definitely a book for those who like the Beast and are disappointed when he’s transformed at the end of the tale. There are a lot of twists, and although the story follows the plot of the fairy tale pretty closely, getting the story from a different perspective allows the author to throw in information that we don’t get in the tale. That allows it to take some unusual turns while still sticking with the story. You can imagine that this is what’s really going on in the fairy tale and we just don’t know because we don’t see these events.

This version is disturbing, romantic, and incredibly satisfying. It was published by a YA publisher, and my library had it in the YA section, but I don’t know that I’d consider it YA. It felt rather adult to me. The rape is fairly graphic (more emotionally than physically, but you know exactly what’s happening), so that might be triggering for some (it’s a couple of paragraphs, so easy to skip, but it resonates throughout the story in the impact on the character). It’s not really a coming of age story, even if the heroine is in her late teens. This seems like a weird publication choice. I think adults will enjoy it, and parents of younger teens might want to read it themselves before letting their kids read it, both to make sure it’s suitable for their child’s sensibilities and to be able to discuss it. The book mostly covers emotional healing and the question of what a “beast” really is.

Add this one to your list if you like exploring all the angles of the Beauty and the Beast tale, and it will make you look at the other versions in a different way from now on.

writing life

Business vs. Writing

Because I love optimizing things, I’ve been thinking more about ways to get better work-life balance, and one thing I realized is that what tires my brain and burns me out isn’t the writing part. It’s the business side of things and more analytical stuff, things like editing, marketing, bookkeeping, publishing, etc. That also includes non-fiction writing, where there’s interviewing, chasing down interview subjects, writing, editing, invoicing, etc. Making stuff up is the fun part of my work.

But the business side of things has to be done if I want to make a living at the fun stuff. I have to do all the things it takes to get a book published in order for it to be able to make any money, and I need to do marketing if I want to sell books. The non-fiction writing is helping supplement my income. I’d love to be able to stop it entirely, but right now the book sales aren’t there and I’m grateful to have this opportunity.

The problem for me lately has been that I’ve been in pure business mode for the past month or so. I’ve been editing, proofreading, dealing with covers, doing a lot of little marketing tasks and doing a lot of freelance non-fiction writing. It’s been a while since I’ve been able to just make things up. No wonder I’m tired!

I think I may start a routine of Fiction Fridays. All the business stuff will happen early in the week, and Fridays will be devoted to making stuff up. This will be less of an issue when I’m actually writing a book, but will be a good thing to do when I’m in the middle of Business Mode. That’ll remind me of why I’m doing all the business stuff. I can’t do it today because I have an article due, but I should be able to wrap that up quickly (it’s written, so I just need to polish it up a bit and edit it) and then go to some more fun work.

A few years ago, I had Getting Stuff Done Wednesdays, so that I spent two days doing intense writing and nothing else, then did all the other stuff on Wednesdays, including errands. It was also choir night, so it was a short day, anyway. Then two more days of intense writing without anything else to worry about. That fell by the wayside when I had too much stuff to get done in one day, and I found that I dreaded Wednesdays and didn’t get any writing momentum when I broke off midway during the week. What I may do is designate a Getting Stuff Done hour daily for all the little tasks. Bigger tasks like proofreading and editing will have to be scheduled separately.

I probably won’t be able to get back to actual writing of fiction until next month, so I’ll have a few weeks to play with this concept and see how it works. Meanwhile, I’m doing better about shutting off the work-related activity earlier in the evening and doing something else for fun, and I think it’s giving me a bit more mental energy. July’s going to be a challenge because I’m doing an online conference that runs on weekends. A lot of the sessions are recorded, so I can watch them whenever, but there will be roundtable discussions and Q&A sessions on the weekends. I may have to work more relaxation into weekdays so I don’t overdo it.

And lest anyone worry, I’m not in any kind of real burnout or other emotional trouble. This is mostly me noticing that I’m starting to run out of steam, recognizing some patterns, and doing preventative maintenance to avoid trouble. It’s like putting on a coat when you notice it’s getting cold, long before you’re in danger of hypothermia.

writing life

Work-Life Balance

I hit a wall late last week when I was trying to read information I was given to turn into an article and the words just blurred together. I decided that what I needed was some rest, so I gave myself an extra long weekend to not do any work. And it was amazing the difference it made. I slept better and ended up feeling refreshed.

That reminded me of how important work-life balance is. It gets tricky when your work is something you once did for fun, as a hobby. Everything turns into work. You’re always thinking in terms of what would work in a book. When you read or watch something, you find yourself analyzing the story. I tend to spend my evenings doing research reading or reading how-to books.

But the brain needs a break from work, even when your work is fun, and taking a few evenings to not read books about writing did me a lot of good. I don’t know that I’m going to stop spending my evenings on work-related stuff all the time because I actually enjoy that. There’s a classical music radio show on in the early evenings that I like to listen to, and it’s nice to have that show on while I read reference books for a book I’m planning or read information about writing or publishing. Then they play symphony concerts after that, and if the program is something I like, I keep working. I think I need to shut off the work earlier so that I don’t go to bed with my brain spinning about books and plots. I need some transitional leisure activities to allow me to relax a bit more. “Leisure” isn’t the same as goofing off during the workday. That’s usually just procrastination, doing things I don’t really enjoy and feeling guilty about it. Real leisure is choosing to do something for fun, with no sense that I should be doing something else. Oddly, not watching as much TV meant I stopped doing much leisure. When I’m listening to the radio, I end up doing writing-related work, like the reference reading and brainstorming. Not that I should go back to watching a lot of TV, but I need to find more things I can do in the evening that aren’t work or TV. I’ve been trying this week to shut off the work earlier and then read for fun, but even reading may feel like work because it’s still story, which hits the same parts of the brain as my work. I guess I need to find new hobbies.

I also think I’ll make more of an effort to take defined breaks every so often. One nice thing about working for myself at home is that I can weave life around work, and vice versa, but that often means that I never entirely stop working. I may take a break during the day to go grocery shopping or do chores, but that also means I may spend evenings and weekends at least thinking about books. Taking time to “refill the well” and recharge is also important. I need to be better about cultivating activities that aren’t about work, which has been harder while stuck at home this past year. Generally, when I go out, that’s a clean break from work. No going out means fewer breaks in routine.

I was able to get back to one of my activities last weekend. My church had an outdoor service at an amphitheater on the shore of a nearby lake Sunday morning, and since we were outdoors, the choir actually got to sing. We had a rehearsal Saturday, then the service and a short concert Sunday morning, after which I did some walking around the lake. We had unusually cool weather for this time of year, so being outdoors was nice.

I’m going to aim for another long weekend next month, with no thinking about work or work-related activity and some time spent doing other activities that get me out of my head.

writing life, My Books

Finding my Niche

As I mentioned in the last post, I’m trying to deal with the business aspects of publishing so I can keep actually making a living at this. As part of that, I’ve been trying to level up on the business side of things, doing a lot of reading, attending workshops, etc. I went to a webinar this week that offered some good advice, but that also made me worry that I may not be suited to independent publishing.

One of the main pieces of advice was to find your niche and stick with it. Being consistent and delivering something tried and true is the best way to build, sustain, and grow a readership. A niche is a specific kind of book within a subgenre, such as, say, romantic comedy set in small towns with heroes who are ex-military. When you do this, you can build a steady readership who knows what they’re going to get when they read one of your books, and when they’re in the mood for the sort of thing you write, you’re the author they’ll turn to. Each book you write will have a built-in customer base.

I know this works because I know people who’ve been wildly successful doing this. But just thinking about everything I write being in the same niche gives me a panic attack. I don’t even know what my niche would be. If we go with what I’ve been most successful with, it would be light humorous contemporary fantasy with a hint of romance set in New York with adorkable wizards. You could fit most of what I’ve published so far into that niche. Take away the “New York” part and you could maybe even squeeze the mysteries in there. The YA books would be the outliers, though Rebel Mechanics fits if you remove “contemporary,” since it’s got New York and an adorkable wizard.

But I don’t really have any new ideas in that contemporary fantasy niche now. I’ve got plots for two more mysteries beyond what I’ve written. I sort of have an idea for another Fairy Tale book outlined, but am not really driven yet to write it. Right now, I’m not even reading contemporary-set books, fantasy or otherwise. I’ve tried to pick up a couple but have put them aside after a chapter because I just can’t get into that mindset. I don’t know if it’s everything going on in the world and wanting to escape right now or if it’s something else. I just don’t want to read about the “real” world in anything that looks like today, even if one of the characters is an adorkable wizard.

If I went by what I’m reading now and where my story ideas are, it would be “traditional” fantasy — secondary world, quasi-European (I’ve read some outside those lines, but I don’t know that I could write it), and set in a somewhat medieval-like past. That’s what I’m gravitating toward as a reader right now. I want castles and sailing ships and horses and forests, quests and swashbuckling. I have ideas for a couple of different series along those lines. Just about any new idea I come up with is in that realm. But I’ve never published anything like that. It would be entirely new, and the only thing in common with my previous books would be the adorkable wizards (they keep finding their way into my books), the snarky heroines, and probably the overall vibe. The settings would be entirely different from my other books, but I suspect it will still feel like me.

I may fall in love with something else a year from now, though, and want to write that. The thought of writing the same kind of book over and over again makes me queasy.

And not just the same kind of book, but the same series. That’s the other advice. And, again, I know it works. But I could only manage nine books in a series I loved before I started getting tired of it, and I even wrote a couple of other series in the meantime. The thought of writing 20 or more books in the same series, as some authors have, makes me twitchy. Now, most of these aren’t the kind of series where you have the same main characters and follow the same story arc. They’re more along the lines of the best friend from book 1 being the heroine of book 2, where heroine 1 is still a secondary character and heroine 3 is introduced. Or it’s a family, where each of the brothers gets his own book. There’s some variety there when you aren’t having to mine the same people for drama over and over again.

One of the fantasy ideas I have works kind of like that. I’m setting up a world where a lot of things can happen. There’s a throughline, but the main characters in each book will be different and there may be subseries within the series about different places in that world. I think I could have fun with that, though I don’t know if I could get to 20 books.

Really, I think I’m best suited for traditional publishing, where I don’t have to make the business decisions and where just being more or less within the same genre is good. They don’t want really massive series (unless they’re hugely successful, and then they’ll want to milk it as long as possible). Unfortunately, the kind of thing I like to write isn’t what publishers want. I keep coming up with ideas, and my agent tells me she can’t sell that. They’re backlogged thanks to the pandemic and the way that messed with publishing schedules and releases. My experiences there haven’t been all that great. I’ve never really felt like I’ve been in a situation where the people I was dealing with believed in me and backed me. I’ve never had a publisher let a series finish before they dropped me. Maybe I haven’t found the right editor with the right idea at the right time. Which means I want to keep doing this instead of getting a real job, I’ll need to suck it up and figure out a way to make it work. I think that fantasy series idea might work for me. At the very least, I could use it to establish myself in that field, and then if it does well, a traditional publisher might be interested in me. So far, what I’ve heard from publishers is that they want something like Enchanted, Inc. They don’t want to buy the Enchanted, Inc. series, but they don’t want anything that’s too different. That means I need to make my own name in something different for them to consider it.